Search Results: the new book illustration in france by pichon leon

Studio, 1924. Hardcover. Acceptable. 1924. No Edition Remarks. 168 pages. No dust jacket. Green cloth. Black and white and colour illustrations throughout. Slight cracking to gutters with exposed netting, pages remain attached. Pages have light tanning and foxing throughout. Heavier to endpapers and pastedowns. Previous owner's inscription and sticker to front free endpaper. Boards have light shelf-wear with corner bumping. Slight crushing to spine ends. Staining overall.

The Studio Ltd, 1924. Hardcover. Acceptable. 1924. No Edition Remarks. 168 pages. No dust jacket. Green cloth. Black and white and block coloured illustrations with colour plates throughout. Binding remains firm. Pages and illustrations are lightly tanned throughout. Small tears to some page edges, text remains unaffected. Boards have light shelf-wear with corner bumping. Light tanning to spine and edges with crushing to spine ends. Light marking to both boards.

London: The Studio, 1924. Special winter number of The Studio. Translated from the French by Herbert B. Grimsditch. Numerous colour and b&w illustrations. Paper covers, browned and slightly worn at edges & spine. Advertisements to back cover and endpapers. Back cover missing. Front cover has been repaired at spine with acid-free booktape.. Paperback. Fair+. 11 x 8 Inches Approx.

London: The Studio, ltd. Very Good with no dust jacket. 1924. First Edition. Hardcover. Translated from the French by Herbert B. Grimsditch. London: The Studio, 1924. 11.5 x 8.5 inches. vii,168 pages. Green cloth stamped in blind and gilt, slightly soiled and worn, endpapers spotted, very good condition, no owner's name, no dj. 39 pages of text (with few illustrations), the rest full pages of illustrations, several in color.; Numerous illustrations; 11 1/2 x 8 1/2 inches; 168 pages .

London 1924 Leicester. Leinen, 167 Seiten, dies ist ein regulär ausgesondertes Bibliotheksexemplar aus einer wissenschaftlichen Bibliothek, keine Markierungen/Anmerkungen, auf ein paar Seiten Braunfleckchen, Buch ist akzeptabel erhalten--- Linen, 167 pages, Lib. Ex., no marks, on a few pages some little brown dots, the book is in an acceptable condition

London: The Estudio, 1924. 1ª ed. Rústica. 20.8x29. Unas 150 reproducciones, 25 en color.

(London): The Studio LTD., 1924. Soft cover. Good. Tan wrapper printed in orange and black, 4to., vii, 168 pages, profusely illustrated, many in two-color. A good only copy with front cover detached and rear cover lacking; however, it is preserved in an attractive professionally-made slipcase and three-part chemise, with leather spine label gilt.

London: The Studio, 1924. later cloth with original stiff paper wrappers bound-in. 4to. later cloth with original stiff paper wrappers bound-in. viii, 168 pages. The work of 79 artists are described and illustrated including a number in full color. Excellent reference book. Some wear at head of spine and faint spotting of cloth on spine.

London: The Studio, 1924. 1st Edition in English. Cloth. VG. Quarto. Gilt lettered green patterned cloth. Well worn with staining on front panel. Ink inscription on front endpaper. Interiors clean. Illustrations on every page.

Studio, 1924-01-01. Hardcover. Acceptable. in x in x in. Ex-library book, usual markings. Hardback without dust cover. Well read copy with some spine wear but still useable, colouring of page edges due to age.

London: The Studio Ltd.. Good+. 1924. Hardcover. First Edition. Translated from the French by Herbert B. Grimsditch. 168 pages. 11.75x8.25 inches. Green cloth covers with gilt printing. The spine and cover edges are slightly toned and soiled. The spine ends and corners are rubbed and frayed. The contents are bright and complete. A Good+ copy. .

London. The Studio Ltd. 1924. Hardcover. 4to. 28.5cm, vii,168p., with 103 facsimile plates (25 colour), in the original elaborately blind stamped light green cloth, gilt spine and cover titles, bevelled edges, t.e.g., some occasional slight foxing, a near fine copy (bks). ~ A well-illustrated study of the revival of the art of French book decoration in the early 20th century. Eighty artists are represented including Frank Brangwyn, George Barbier, Paul Hermann, Alfred Latour, Steinlen and Carlegle.

London: The Studio Ltd, 1924. English Edition. Softcover. Poor copy in stiff-card wrappers. Spine bands worn with some loss. Front cover missing. Some minor scattered foxing. Text remains in fine condition. Physical description: vii, 168 pages: illustrations (some color); 30 cm. Subjects: Book illustration 20th century France. Books and reading France History 20th century. Illustration of books 20th century France.

London: The Studio, Ltd, 1924. Translated from the French by Herbert B. Grimsditch. Features works by 79 French artists. Replete with illustrations, some in color. Included are: Barbier, Dufy, Leroux, Latour, and, of course, many others. Fine typography throughout. 168pp.. First Edition. Light Green Cloth. Minor Edge Wear/No Jacket. Quarto.

London: The Studio Ltd, 1924. Very Good. 4to. 168pp. Green cloth with blind-stamped front board and gilt lettering. Top edge gilt, bevelled edges, corners and spine ends bumped and a little worn but overall a good clean copy in a tight binding.

London: The Studio Ltd., 1924. hard cover in dust jacket, heavily embossed light green cloth with gilt lettering, top edge gilt., light toning to gutters at each end at pastedowns. dj has edge-wear, chipping, dust-soiling. no other flaws or wear. sturdy binding, no markings or writing. no bumps.; english text translated from french original.; vii-168pp., illustrated throughout in color, b/w, special winter number of the studio. scarce in dust jacket. contains examples of numerous french book illustrators, dufy, denis, barbier, grasset, steinlen, laurencin, lhote, et al.. First Edition Thus. Hard Cover. Near Fine/Very Good Minus. 4to - over 9¾" - 12" tall.

London: The Studio Ltd, 1924. First Edition. Hardcover. Very Good. London, The Studio Ltd., 1924. Quarto, viii, 168 pages with numerous illustrations (some in colour). Cloth extensively decorated in blind, top edge gilt; corners slightly bumped and rubbed; spine lightly sunned; endpapers offset; an excellent copy. Translated from the French by Herbert B. Grimsditch.

London: The Studio, 1924. VG, bright and tight.. vii, 168p. Illustrated, including some in color. 4to. Embossed green cloth over beveled boards, gilt spine and cover titles.

London: The Studio, 1924. First edition. Cloth. Very Good. 11.5" by 8.5". Various. The first English translation of this work, which looks at illustration in France at the start of the twentieth century. With many examples of the art. Written by Leon Pichon and translated into English by Herbert B Grimsditch. In the original cloth binding. The artists whose works are reproduced in this work include George Barbier, Georges Bruyer, Mauris Denis, Louis Jou, Joseph Hemard, Malo Renault and Paul Vera. With the bookplates of G Oliver Anderson and Lillian Marks to the front pastedown. A charming work, which looks at the development of this art form in France. In the publisher's original cloth binding. Externally, smart with light rubbing to the head and tail of spine. Spine has faded. Small loss to the cloth at the head of spine. Bookplate to the front pastedown. Internally, firmly bound. Pages are bright. Minor offsetting to the endpapers. Occasional light spots to pages. Very Good

London: The Studio Limited, 1924. Translated from the French by Herbert B. Grimsditch. Pp. viii+168, illustrated throughout in colour and black & white; tall post 4to; light green cloth, lettered and decorated in gilt & blind, corners a trifle bruised; t.e.g.; bookseller's sticker at foot of upper pastedown, endpapers offset, scattered foxing; The Studio, London, 1924. First U.K. edition.