Art from Appledore Books, ABAA

University of California Press, 1990. Cloth. Fine/Fine. A sharp, all-but-pristine copy of the 1990 1st edition. Tight and Near Fine to Fine in a bright, Near Fine to Fine dustjacket. Tall quarto, crisp black-and-white and color reproductions thruout.

Boston: G.K. Hall & Co, Boston. Cloth. Fine/Fine. A very sharp example of the 2 volume set. Both volumes stated 1st editions and both clean and Fine in crisp, Fine dustjackets. Bordering on pristine. Thick octavos, "presenting in chronological order Kandinsky's writings published between 1901 and 1943". Part of the wonderful "Documents of Twentieth Century Art" series.

Cambridge, MA: The MIT Press, 1977. Boards. Near Fine/Fine. An all-but-pristine copy. Tight and Near Fine to Fine in its white boards, with the publisher's very sharp glassine dustjacket and the printed, dark wraparound band. Square octavo, internally immaculate.

Whitney Museum of American Art/University of California Press, 2002. Cloth. Fine/Fine. Impressive monograph on the work of the American painter Joan Michell (1925-1992). With 88 color illustrations and 22 in black-and-white. Clean and Fine in a crisp, Fine dustjacket. The monograph also serves as the catalogue, which was based on the June-September 2002 exhibition at New York's Whitney… Read more about this item

Cambridge, MA: Harvard University Art Museums, 1999. Original wraps. Fine. A pristine copy of the catalogue based on the 1999 "exhibition organized by the Harvard University Art Museums and Kunstmuseum Winterthur". Both volumes crisp and Fine i heir printed gray wrappers. And housed in a Fine example of the printed card slipcase.

Hard Press Editions/Hudson Hills Press, 2009. Cloth. Near Fine/Fine. A very sharp copy of the 2009 1st edition. Tight and Near Fine to Fine in a crisp, Fine dustjacket. Oblong quarto, generous plates throughout, in addition to the CD at the rear pastedown. Impressive monograph on the American sculptor Kenneth Snelson (1927-2016).

New York: Julien Levy Gallery, 1939. Ephemera. Near Fine. The uncommon announcement for the Joseph Cornell December 1939-January 1940 "Exhibition of Objects", held at New York's formidable Julien Levy Gallery. Bright and Near Fine in its single pictorial sheet, folded once to create 4 separate panels. The rear panel features a full-page essay by Parker Tyler (leading New… Read more about this item

New York: Julien Levy Gallery, 1933. Ephemera. Near Fine. The scarce announcement of the November-December 1933 seminal exhibition at New York's Julien Levy Gallery. A lovely copy: a dark-gray 4" x 5 1/2" card, crisp and Near Fine. One of the great early pairings of the Gallery, Picasso's etchings and Cornell's objects.

Roizzoli, 2008. Boards. Fine/Fine. An immaculate copy of the 2008 1st editon, still in the publisher's original shrinkwrap. Thick quarto, edited by Frances Morris.

Bern, Switzerland: Galerie Kornfeld, 1990. Fine/Fine. A pristine copy of the 2 volume catalogue raisonne of Max Beckmann's prints. Both volumes clean and Fine in crisp, Fine dustjackets. Thick, tall quartos, also includes immaculate examples of the publisher's unprinted card slipcases. Vol. I: 1900-1920; Vol. II: 1921-1948.

Bern, Switzerland: Kunstmuseum Bern, 1973. Cloth. Fine/Fine. The 3 volumes, all in pristine condition, of the catalogue raisonne of Paul Klee's hand-drawings. All 3 volumes, thick, massive 4tos, clean and Fine in crisp, Fine dustjackets. The 1976 catalogue of the exhibition at Kunstmuseum Bern. Band I: Kindheit bis 1920; Band II: 1921-1936; Band III: 1927-1940. Text exclusively in… Read more about this item

Bern, Switzerland: Verlag Kornfeld und Cie, 1976. Cloth. Fine/Fine. A pristine example of the 1976 catalogue raisonne of Max Beckmann's paintings, complete in 2 volumes. Both volumes tight and Fine in crisp, Fine dustjackets. Thick, massive quartos, only 1,500 copies issued. Band I: Katalog und Dokumentation; Band II: Tafeln und Bibliographie. Also includes immaculate examples of the card… Read more about this item

Monrovia, CA: Porterhouse Fine Arts Editions, 2004. Pictorial wrappers. Fine. An immaculate copy, still in its original shrinkwrap. Clean and Fine in its pictorial wrappers. Micro Portfolio of Three Cards, Vol. #4 in the series.

New York: Harper & Row, 1980. Pictorial wrappers. Very Good. A solid, perfectly serviceable copy of the 1980 stated 1st edition. Tight and VG in its pictorial white wrappers, with very light soiling at the front pastedown, mild scuffing to the rear panel and one or two smudge marks to the half-title. Tall quarto, all plates clean and… Read more about this item

Otsu City,Shiga, Japan: Ohmi Gallery, 2008. Boards. Fine/Fine. An immaculate copy of the 2008 1st edition of this exhaustive catalogue raisonne of Japanese artist Tsuchiya Koitsu (1870-1949). Clean and Fine in a crisp, Fine dustjacket. Thick, tall quarto, rich color prints throughout. Also includes a pristine copy of the publisher's matching blue cloth slipcase, with gilt-titling along the… Read more about this item

New York: Boni and Liveright, 1921. Cloth. Very Good. The 1921 st edition of Marsden Hartley's 1st published book. Solid and VG in its dark cloth, with very light spotting at the front panel. Internally, clean as could be, with no writing or markings of any kind. Octavo, Introduction by Waldo Frank, portraits by Hartley of some of… Read more about this item

Venice: Societe Europeenee de Culture, 1951. Original wraps. Near Fine/Very Good +. Uncommon 1951 Le Corbusier 4-pg. essay ("Is There a Crisis in Art?"). Reprinted from the French review "COMPRENDRE" #4, here elegantly re-fashioned in its stand-alone off-white wappers and glassine dustjacket. Tall quarto, a touch of light spotting to the glassine, otherwise very sharp.

New York: Julien Levy Gallery, 1935. Ephemera. Fine. The rare October 1935 announcement card for Juan Gris's first solo exhibition at New York's formidable Julien Levy Gallery. The off-white card, designed by the Cubist painter himself, is in pristine condition. Clean, bright and Fine, remarkably well-preserved given its age. ("Julien Levy: Portrait of an Art Gallery", pg. 178).… Read more about this item

New York: Julien Levy Gallery, 1936. Ephemera. Near Fine. The very uncommon October to November 1936 announcement card and catalogue for Giorgio De Chirico's first solo exhibition at New York's Julien Levy Gallery. The off-white single sheet, folded into fourths and illustrated by the Italian surrealist painter himself, is in very sharp condition. Clean, bright and Near Fine.… Read more about this item

New York: Julien Levy Gallery, 1939. Ephemera. The scarce February to March 1939 announcement card and catalogue for Leonor Fini's one-woman exhibition (of her paintings) at New York's Julien Levy Gallery. The pink and light-brown single sheet is folded in half and lists 14 of the Argentine-Italian surrealist's paintings. Clean, bright and Near Fine, with just a touch of… Read more about this item