Tales from Earthsea Paperback - 2002

Details

• Title Tales from Earthsea
• Author Ursula K. Le Guin
• Binding Paperback
• Edition Reprint
• Pages 314
• Volumes 1
• Language ENG
• Publisher Ace Books, New York
• Date May 7, 2002
• Illustrated Yes
• ISBN 9780441009329 / 0441009328
• Weight 0.65 lbs (0.29 kg)
• Dimensions 7.92 x 5.3 x 0.93 in (20.12 x 13.46 x 2.36 cm)
• Ages 18 to UP years
• Grade levels 13 - UP
• Library of Congress subjects Short stories, Fantasy fiction, American
• Library of Congress Catalog Number 2001056673
• Dewey Decimal Code FIC

Darkrose and Diamond

In the west of Hanover, among hills forested with oak and chestnut, is the town of Glade. A while ago, the rich man of that town was a merchant called Golden. Golden owned the mill that cut the oak boards for the ships they built in Havnor South Port and Havnor Great Port; he owned the biggest chestnut groves; he owned the carts and hired the carters that carried the timber and the chestnuts over the hills to be sold. He did very well from trees, and when his son was born, the mother said, “We could call him Chestnut, or Oak, maybe?” But the father said, “Diamond,” diamond being in his estimation the one thing more precious than gold.

So little Diamond grew up in the finest house in Glade, a fat, bright-eyed baby, a ruddy, cheerful boy. He had a sweet singing voice, a true ear, and a love of music, so that his mother, Tuly, called him Songsparrow and Skylark, among other loving names, for she never really did like “Diamond.” He trilled and caroled about the house; he knew any tune as soon as he heard it, and invented tunes when he heard none. His mother had the wise woman Tangle teach him The Creation of Éa and The Deed of the Young King, and at Sunreturn when he was eleven years old he sang The Winter Carol for the Lord of the Western Land, who was visiting his domain in the hills above Glade. The Lord and his Lady praised the boy’s singing and gave him a tiny gold box with a diamond set in the lid, which seemed a kind and pretty gift to Diamond and his mother. But Golden was a bit impatient with the singing and the trinkets. “There are more important things for you to do, son,” he said. “And greater prizes to be earned.”

Diamond thought his father meant the business—the loggers, the sawyers, the sawmill, the chestnut groves, the pickers, the carters, the carts—all that work and talk and planning, those complicated, adult matters. He never felt that it had much to do with him, so how was he to have as much to do with it as his father expected? Maybe he’d find out when he grew up.

But in fact Golden wasn’t thinking only about the business. He had observed something about his son that made him not exactly set his eyes higher than the business, but glance above it from time to time, and then shut his eyes.

At first he thought Diamond had a knack such as many children had and then lost, a stray spark of magery. When he was a little boy, Golden himself had been able to make his own shadow shine and sparkle. His family had praised him for the trick and made him show it off to visitors; and then when he was seven or eight he lost the hang of it and never could do it again.

When he saw Diamond come down the stairs without touching the stairs, he thought his eyes had deceived him; but a few days later, he saw the child float up the stairs, just a finger gliding along the oaken banister. “Can you do that coming down?” Golden asked, and Diamond said, “Oh, yes, like this,” and sailed back down smooth as a cloud on the south wind.

“How did you learn to do that?”

“I just sort of found out,” said the boy, evidently not sure if his father approved.

Golden did not praise the boy, not wanting to make him self-conscious or vain about what might be a passing, childish gift, like his sweet treble voice. There was too much fuss already made over that.

But a year or so later he saw Diamond out in the back garden with his playmate Rose. The children were squatting on their haunches, heads close together, laughing. Something intense or uncanny about them made him pause at the window on the stairs landing and watch them. A thing between them was leaping up and down, a frog? a toad? a big cricket? He went out into the garden and came up near them, moving so quietly, though he was a big man, that they in their absorption did not hear him. The thing that was hopping up and down on the grass between their bare toes was a rock. When Diamond raised his hand the rock jumped up in the air, and when he shook his hand a little the rock hovered in the air, and when he flipped his fingers downward it fell to earth.

“Now you,” Diamond said to Rose, and she started to do what he had done, but the rock only twitched a little. “Oh,” she whispered, “there’s your dad.”

“That’s very clever,” Golden said.

“Di thought it up,” Rose said.

Golden did not like the child. She was both outspoken and defensive, both rash and timid. She was a girl, and a year younger than Diamond, and a witch’s daughter. He wished his son would play with boys his own age, his own sort, from the respectable families of Glade. Tuly insisted on calling the witch “the wise woman,” but a witch was a witch and her daughter was no fit companion for Diamond. It tickled him a little, though, to see his boy teaching tricks to the witch-child.

“What else can you do, Diamond?” he asked.

“Play the flute,” Diamond said promptly, and took out of his pocket the little fife his mother had given him for his twelfth birthday. He put it to his lips, his fingers danced, and he played a sweet, familiar tune from the western coast, “Where My Love Is Going.”

“Very nice,” said the father. “But anybody can play the fife, you know.”

Diamond glanced at Rose. The girl turned her head away, looking down.

“I learned it really quickly,” Diamond said.

Golden grunted, unimpressed.

“It can do it by itself,” Diamond said, and held out the fife away from his lips. His fingers danced on the stops, and the fife played a short jig. It hit several false notes and squealed on the last high note. “I haven’t got it right yet,” Diamond said, vexed and embarrassed.

“Pretty good, pretty good,” his father said. “Keep practicing.” And he went on. He was not sure what he ought to have said. He did not want to encourage the boy to spend any more time on music, or with this girl; he spent too much already, and neither of them would help him get anywhere in life. But this gift, this undeniable gift—the rock hovering, the unblown fife— Well, it would be wrong to make too much of it, but probably it should not be discouraged.

In Golden’s understanding, money was power, but not the only power. There were two others, one equal, one greater. There was birth. When the Lord of the Western Land came to his domain near Glade, Golden was glad to show him fealty. The Lord was born to govern and to keep the peace, as Golden was born to deal with commerce and wealth, each in his place; and each, noble or common, if he served well and honestly, deserved honor and respect. But there were also lesser lords whom Golden could buy and sell, lend to or let beg, men born noble who deserved neither fealty nor honor. Power of birth and power of money were contingent, and must be earned lest they be lost.

But beyond the rich and the lordly were those called the men of power: the wizards. Their power, though little exercised, was absolute. In their hands lay the fate of the long-kingless kingdom of the Archipelago.

If Diamond had been born to that kind of power, if that was his gift, then all Golden’s dreams and plans of training him in the business, and having him help in expanding the carting route to a regular trade with South Port, and buying up the chestnut forests above Reche—all such plans dwindled into trifles. Might Diamond go (as his mother’s uncle had gone) to the School of Wizards on Roke Island? Might he (as that uncle had done) gain glory for his family and dominion over lord and commoner, becoming a mage in the Court of the Lords Regent in the Great Port of Havnor? Golden all but floated up the stairs himself, borne on such visions.

But he said nothing to the boy and nothing to the boy’s mother. He was a consciously close-mouthed man, distrustful of visions until they could be made acts; and she, though a dutiful, loving wife and mother and housekeeper, already made too much of Diamond’s talents and accomplishments. Also, like all women, she was inclined to babble and gossip, and indiscriminate in her friendships. The girl Rose hung about with Diamond because Tuly encouraged Rose’s mother, the witch Tangle, to visit, consulting her every time Diamond had a hangnail, and telling her more than she or anyone ought to know about Golden’s household. His business was none of the witch’s business. On the other hand, Tangle might be able to tell him if his son in fact showed promise, had a talent for magery . . . but he flinched away from the thought of asking her, asking a witch’s opinion on anything, least of all a judgment on his son.

He resolved to wait and watch. Being a patient man with a strong will, he did so for four years, till Diamond was sixteen. A big, well-grown youth, good at games and lessons, he was still ruddy-faced and bright-eyed and cheerful. He had taken it hard when his voice changed, the sweet treble going all untuned and hoarse. Golden had hoped that that was the end of his singing, but the boy went on wandering about with itinerant musicians, ballad singers and such, learning all their trash. That was no life for a merchant’s son who was to inherit and manage his father’s properties and mills and business, and Golden told him so. “Singing time is over, son,” he said. “You must think about being a man.”

Diamond had been given his true name at the springs of the Amia in the hills above Glade. The wizard Hemlock, who had known his great-uncle the mage, came up from South Port to name him. And Hemlock was invited to his nameday party the year after, a big party, beer and food for all, and new clothes, a shirt or skirt or shift for every child, which was an old custom in the West of Havnor, and dancing on the village green in the warm autumn evening. Diamond had many friends, all the boys his age in town and all the girls too. The young people danced, and some of them had a bit too much beer, but nobody misbehaved very badly, and it was a merry and memorable night. The next morning Golden told his son again that he must think about being a man.

“I have thought some about it,” said the boy, in his husky voice.

“And?”

“Well, I,” said Diamond, and stuck.

“I’d always counted on your going into the family business,” Golden said. His tone was neutral, and Diamond said nothing. “Have you had any ideas of what you want to do?”

“Sometimes.”

“Did you talk at all to Master Hemlock?”

Diamond hesitated and said, “No.” He looked a question at his father.

“I talked to him last night,” Golden said. “He said to me that there are certain natural gifts which it’s not only difficult but actually wrong, harmful, to suppress.”

The light had come back into Diamond’s dark eyes.

“The master said that such gifts or capacities, untrained, are not only wasted, but may be dangerous. The art must be learned, and practiced, he said.”

Diamond’s face shone.

“But, he said, it must be learned and practiced for its own sake.”

Diamond nodded eagerly.

“If it’s a real gift, an unusual capacity, that’s even more true. A witch with her love potions can’t do much harm, but even a village sorcerer, he said, must take care, for if the art is used for base ends, it becomes weak and noxious . . . Of course, even a sorcerer gets paid. And wizards, as you know, live with lords, and have what they wish.”

Diamond was listening intently, frowning a little.

“So, to be blunt about it, if you have this gift, Diamond, it’s of no use, directly, to our business. It has to be cultivated on its own terms, and kept under control—learned and mastered. Only then, he said, can your teachers begin to tell you what to do with it, what good it will do you. Or others,” he added conscientiously.

There was a long pause.

“I told him,” Golden said, “that I had seen you, with a turn of your hand and a single word, change a wooden carving of a bird into a bird that flew up and sang. I’ve seen you make a light glow in thin air. You didn’t know I was watching. I’ve watched and said nothing for a long time. I didn’t want to make too much of mere childish play. But I believe you have a gift, perhaps a great gift. When I told Master Hemlock what I’d seen you do, he agreed with me. He said that you may go study with him in South Port for a year, or perhaps longer.”

“Study with Master Hemlock?” said Diamond, his voice up half an octave.

“If you wish.”

“I, I, I never thought about it. Can I think about it? For a while—a day?”

“Of course,” Golden said, pleased with his son’s caution. He had thought Diamond might leap at the offer, which would have been natural, perhaps, but painful to the father, the owl who had—perhaps—hatched out an eagle.

For Golden looked on the art magic with genuine humility as something quite beyond him—not a mere toy, such as music or tale telling, but a practical business of immense potential, which his business could never quite equal. And he was also, though he wouldn’t have put it that way, afraid of wizards. A bit contemptuous of sorcerers, with their sleights and illusions and gibble-gabble, but afraid of wizards.

“Does Mother know?” Diamond asked.

“She will when the time comes. She has no part to play in your decision, Diamond. Women know nothing of these matters and have nothing to do with them. You must make your choice alone, as a man. Do you understand that?” Golden was earnest, seeing his chance to begin to wean the lad from his mother. She as a woman would cling, but he as a man must learn to let go. And Diamond nodded sturdily enough to satisfy his father, though he had a thoughtful look.

“Master Hemlock said I, said he thought I had, I might have a, a gift, a talent for—?”

Golden reassured him that the wizard had actually said so, though of course what kind of gift remained to be seen. The boy’s modesty was a great relief to him. He had half-consciously dreaded that Diamond would triumph over him, asserting his power right away—that mysterious, dangerous, incalculable power against which Golden’s wealth and mastery and dignity shrank to impotence.

“Thank you, Father,” the boy said. Golden embraced him and left, well pleased with him.

—Reprinted from Tales from Earthsea by Ursula K. Le Guin by permission of Berkley, a member of Penguin Putnam Inc. Copyright © 2001, Ursula K. Le Guin. All rights reserved. This excerpt, or any parts thereof, may not be reproduced in any form without permission.

“A writer of depth who recognizes that not all fantasy venues are created equal…Le Guin’s combination of opaque simplicity and transparent complexity, the quotidian and the miraculous, as well as her sharp and subtle characterizations, make for stories that stand shoulder to shoulder with ancient archetypal fairy tales and fables.” —The Washington Post Book World

“In the canon of great adult fantasy literature, right next to Tolkien…If you’ve had enough of Harry Potter-style kid-wizardry, Le Guin offers a powerful tonic. These tales are intense, moving, engaging and best of all, character-driven: Le Guin knows people, wizards or not.” —The Boulder Daily Camera

“Tales from Earthsea…has poetry and true magic. Furthermore, it has a great writer’s love of an imaginary land that once existed only in her mind and now exists as a treasure in the real world for all lovers of fantasy, today and tomorrow and forever.” —The Orlando Sentinel

“Earthsea’s magic serves as a metaphor for the writer’s own sorcery…there is no hint of by-the-numbers allegory here. This book should appeal to two entirely different sets of readers. Those familiar with the earlier Earthsea books will rejoice in the way Le Guin fills in some of the chronological blanks. Readers coming upon Earthsea for the first time will find stories about strong characters facing decisions that, while they arise from purely personal conflicts, always have the potential to affect the fate of the world…Memorable.” —The New York Times Book Review

“Takes readers back into the past of the author’s imaginary universe to relate the founding of a school of magic…and the story of a young wizard who became a legend…This volume not only stands alone but also serves as an introduction to new readers. Strong work from a master storyteller; highly recommended.” —Library Journal

“Long before Harry Potter ever set foot in Hogwarts…there was a school for wizards in a place called Earthsea. The invention of grande dame of letters Ursula K. Le Guin, Earthsea is a realm that has been compared to Tolkien’s Middle Earth and C.S. Lewis’s Narnia, a place of high fantasy that generated a series of award-winning, enduring bestsellers…all beloved by a wide audience of adults as well as younger readers.” —Publishers Weekly

“Le Guin is a marvelously astute observer of human nature, and these tales derive their wonder not so much from magic as the strength and dignity of people…she conveys powerful emotions and landscapes—both lovely and despoiled—with simple, evocative language; sometimes her words are breathtakingly apt and beautiful.” —The Boulder Daily Camera

“A treasure…at the top of any list of fantasy to be cherished.” —Andre Norton

“It has been years since the last Earthsea book, but LeGuin hasn’t lost her touch. She draws us into the magical land and its inhabitants’ doings immediately. Earthsea mavens must rejoice, and relative newcomers will profit from the Earthsea history and two maps that round out the book.” —Booklist

“Le Guin seduces deliciously; draws you in with the sure, calm hand of a master to wander her magical archipelago of Earthsea.” —Nalo Hopkinson, author of Brown Girl in the Ring

“It held my attention so firmly that I read it straight through from beginning to end in one sitting. Nobody writing in English today has Le Guin’s mastery of the extended fable and extended parable.” —Suzette Haden Elgen, author of The Ozark Trilogy

“Such welcome lucidity. Such a seasoned approach to power and life’s traumas…fully matured.” —Faren Miller, Locus

“One of the most fully realized fantasy settings in the genre, and one of the most popular…[Tales from Earthsea is] witty, thoughtful, and will make you believe that magic could really work.” —Science Fiction Chronicle

“Le Guin’s Earthsea is one of a handful of genuinely iconic settings in modern fantasy. [Tales from Earthsea] represents her own discovery that Earthsea has changed in unexpected ways since she last visited it, and that it still holds a few secrets…compelling…elegantly structured.” —Gary K. Wolfe, Locus

“Enchants from start to finish.” —Nina Kiriki Hoffman, author of The Thread That Binds the Bones