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Paris: Gillet Hardouin, 1516 [calendar covering the years 1516-27]. 197 x 120 mm. (7 3/4 x 4 1/2"). 104 leaves. FINE CONTEMPORARY BLIND-TOOLED CALF, covers with multiple rules and floral rolls, raised bands, gilt lettering in two compartments, skillfully rebacked in the style of the period, four brass clasps and catch plates (possibly renewed), original vellum endleaves. In a vellum clamshell box. WITH 23 VIGNETTES AND 16 FULL-PAGE METAL CUTS within architectural borders, BEAUTIFULLY ILLUMINATED IN COLORS AND GOLD BY A CONTEMPORARY HAND. Front pastedown with engraved bookplate of "J. R. P.," rear endleaves with genealogical information in an early hand. The coloring of one of the vignettes left unfinished. ◆Extremities and raised bands with a little rubbing, minor (and very well done) repairs to a few places at the corners and edges, but the extremely attractive binding completely sound and pleasing. One miniature with faint creasing (mostly touching the robes of two figures), a few miniatures…
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A PRINTED BOOK OF HOURS ON VELLUM, IN LATIN AND FRENCH. USE OF ROME
by (BOOKS OF HOURS - PRINTED)
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McMinnville, Oregon, United States
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CA$46,109.44CA$19.40 shipping to USA
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A PRINTED BOOK OF HOURS ON VELLUM, IN LATIN AND FRENCH. USE OF ROME
by (BOOK OF HOURS - PRINTED)
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McMinnville, Oregon, United States
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CA$64,841.40CA$19.40 shipping to USA
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Paris: Germain Hardouyn, 1533 [with Calendar covering 1520-32]. 207 x 125 mm. (8 1/8 x 5"). 92 (of 96) unnumbered leaves (without A1, C8, D8, and I1). Remnants of green brocade over old (perhaps contemporary) thin wooden boards. WITH 12 SMALL MINIATURES AND 17 LARGER ONES (five of the latter full-page, and the others from a half to two-thirds of a page), ALL COLORED BY A CONTEMPORARY HAND (lacking a miniature on each of three missing leaves); ALSO WITH EVERY PAGE (except those featuring a larger miniature) ENCLOSED BY A HAND-PAINTED DECORATIVE OR INHABITED FRAME, the frames always in pairs, with a conventional border of plants, fruits, and geometric shapes on one page and on the opposite page a border constituting an original painting of an outdoor scene, always containing humans and/or animals, MANY OF THE INHABITED FRAMES OF IMMENSE CHARM, even if essentially naïve in style. Front free endleaf with (illegible) early ink inscription. Not in Adams or Brunet. ◆Binding quite worn but still…
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