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Greenwood Press. Very Good. 1969. First Thus. Hardcover. 0837125545 . Grey cloth with bright gilt lettering on spine. 223 pages including index. Ex-Hartford Seminary Library; otherwise unmarked, clean, tight, attractive copy (no evidence of having been read) ; 1 x 8.5 x 5.6 Inches .
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Mediaeval Art from the Peace of the Church to the Eve of the Renaissance, 1312-50
by Lethaby, W.R.; Rice, David Talbot
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- First Thus
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- ISBN 10 / ISBN 13
- 9780837125541 / 0837125545
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Richmond, Maine, United States
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Mediaeval Art from the Peace of the Church to the Eve of the Renaissance, 1312-50
by W.R. Lethaby; Editor-David Talbot Rice
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- Good
- Hardcover
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- Used - Good
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- Hardcover
- ISBN 10 / ISBN 13
- 9780837125541 / 0837125545
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HOUSTON, Texas, United States
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Greenwood Press, 1969. Hardcover. Good.
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Mediaeval Art from the Peace of the Church to the Eve of the Renaissance 312-1350
by Lethaby, W. R.
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- near fine
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- Used - Near Fine
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Boston, Massachusetts, United States
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London: Duckworth, 1912. Near Fine. Hardcover book, covers are near fine, top edge is gilt, (no dust wrapper - issued?); text has offset to endpapers, otherwise fine; this edition revised and corrected; , xviii, 315 pp with 124 black-and-white illustrations as diagrams, plans and drawings in the text and lxvi black-and-white photographs; medieval vaulting, medieval masons, church construction, byzantine guilds, et cetera
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Mediaeval Art from the Peace of the Church to the Eve of the Renaissance 312 - 1350.
by W R Lethaby:
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- Used - Acceptable
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- Hardcover
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DEWITT, Michigan, United States
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London: Duckworth & co, 1912., 1912-01-01. Hardcover. Acceptable. in x in x in.
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MEDIAEVAL ART, FROM THE PEACE OF THE CHURCH TO THE EVE OF THE RENAISSANCE 312-1350
by (BINDINGS - CLUB BINDERY). LETHABY, W. R.
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- FIRST EDITION
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McMinnville, Oregon, United States
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London: Duckworth and Co, 1904. FIRST EDITION. 195 x 133 mm. (7 3/4 x 5 1/2"). xviii, 315 pp. ELEGANT CRIMSON CRUSHED MOROCCO, GILT, BY THE CLUB BINDERY (stamp-signed on front turn-in), covers with mitered fillet border enclosing a central panel ruled into nine compartments, the four corner sections tooled with an elaborate fleuron design, raised bands, spine with mitered frame enclosing five vertical parallel fillets rising through five panels, the panels at head and foot with volute corner embellishment, one panel with gilt lettering, turn-ins with gilt fillet border and floral sprays at corners, marbled endpapers, top edge gilt (neat older repair to head of front joint). With 124 figures in the text and 66 plates with black & white photographic reproductions of Medieval art. Front pastedown with armorial bookplate of William Fitz-Simon; front flyleaf with ink signature of Ursula J. Morgan, dated 1906. ◆A breath of rubbing to extremities, but A VERY FINE COPY, clean, fresh, and bright…
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