Search Results: maud a monodrama by tennyson alfred lord

London: Macmillan & Co., 1922. 1st . Hardcover. Good/None. Edmund J. Sullivan. Hardcover, 8 color (frontispiece with tissue guard), and black & white illustrations by Edmund J. Sullivan. 103 pages. Spine fade. Silver lettering, decorated front cover. Browning to pages. Front paste down separated from front flyleaf. Previous owner's bookplate on front pastedown. Record # 500206

Macmillan, 1922. hardcover. Very Good. 0x0x0. 1922; London; ***photo does not match cover***; white cloth covered boards with silver titles and artwork; mild edge wear; light rubbing; interior is clean and unmarked; pages are lightly toned; color illustrations throughout; 8vo, 7 3/4" to 9 3/4" tall; 103 pages

London: Macmillan & Co., 1922. 1st . Hardcover. Good/None. Edmund J. Sullivan. 8 color (frontispiece with tissue guard), and black & white illus. by Edmund J. Sullivan.103 pages. Spine fade. Silver lettering, decorated front cover. Browning to pages. Front pastedown separated from front flyleaf. Previous owner's bookplate on front pastedown. Record # 500206

Paperback / softback. New.

Hardback. New.

Macmillan, 1922. Hardcover. Very Good. in x in x in. Macmillan 1922. Hardcover with tight binding. Condition: Very Good. Clean and bright text. Fine Woodcut illustrations.

London: MacMillan and Co., 1922. Book. Illus. by Sullivan, Edmund J.. Good. Hardcover. Signed by Illustrator(s). 4to - over 9¾ - 12" tall. Greenish covers with tan spine. Paste down title on spine. Corners and edges are bumped. Pages have deckle edges. Endpapers are yellowed, brown spot on first few pages. Previous owner's bookplate on inside on front cover (book belonged to Archibald MacMechan a noted Nova Scotia author). Beautifully illustrated. Limited edition signed by artist (520 copies)..

London: MacMillan, 1922. Limited Edition. Boards, canvas back. Good Condition. Illustrations by Edmund.J. Sullivan , 7 coloured and 11 other plates, Signed by the Artist Size: Quarto. torn spine. Corners bumped, slight wear to covers. Category: Poetry; Britain/UK; 1920s; .

London: Macmillan And Co. Limited, 1922. Hardcover. Very Good/No Jacket. Edmund J. Sullivan. Limited edition - one of 520 copies signed by the illustrator. In good plus green thick boards with light tan linen-effect spine with white paper title field and black titles . The covers are very tight, quite clean; corners bumped. Tanned free end papers; front free end paper has name of previous owner. The rear paste down is wrinkled as if from damp. Deckled and age-toned cut edges. The text block is tightly bound, square and in very good condition with lovely illustrations (some coloured) and vignettes by Edmund J. Sullivan, not tanned or foxed.

London: Macmillan and Co. , 1922. Cloth. Very Good. 9" by 6". Edmund J. Sullivan . A later, illustrated edition of Alfred Lord Tennyson's epic poem, first published in a collection of poems after becoming poet Laureate. With illustrations by Edmund J Sullivan. A later edition of this work, a poem originally published in 1850 in the first published collection of poems by Alfred Lord Tennyson after becoming poet Laureate. A chivalric-style love poem, where Tennyson returned to poetry of sensation, expressing through fragments of feelings the issues of identity, intellect, and modernity. Profusely illustrated throughout with illustrations in colour and black and white by Edmund J Sullivan. In the original publisher's cloth binding with decorative silver to front board and spine. Externally very smart with only minor shelfwear and minor bumping to head and tail of spine. Cloth to spine and extremities has slightly darkened, more pronounced due to the white colour of the cloth. Internally, firmly bound.… Read More

London/Hammersmith: Kelmscott Press, 1893. Limited First Edition. hardcover. Good+. 8 5/16" × 5 11/16" × 1/2" (21.1 × 14.4 × 1.3 cm) . First State. Printed by William Morris, and published by Macmillan & Co., Bedford Street, Strand. 8vo. Bound in custom hardcover full leather with tooled design. One of 500 [at two guineas] paper copies (plus 5 [not for sale] on vellum). Printed on fine, hand-made, Batchelor (with the second version of the Primrose watermark) paper. Uncut, deckled edges. Colophon and the smaller, rectangular printer's device designed by Morris (no. 1). All edges gilt. [iv], 69, [70, imprint] pp. Printed in black and red throughout with the Golden type designed by Morris for his press, with stanza numbers in red. Woodcut title within a floral border, facing page with full woodcut floral page-border (borders 10a and 10). Numerous other floral edge borders at stanza heads. Three 12-line woodcut initial and numerous 6-line initials all designed by Morris, engraved by William… Read More