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Cambridge (Harvard University Press), 1931.. xiii, (1), 120, (4)pp., 53 plates. Sm. 4to. Cloth.
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An Introduction to the Language of Drawing and Painting. Vol. II: The Painters Mode of Expression.
by Pope, Arthur.
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Charlestown, Massachusetts, United States
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An Introduction to the Language of Drawing and Painting: Volume I: The Painters Terms
by POPE, Arthur
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Gloucester City, New Jersey, United States
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Cambridge: Harvard, 1929. Hardcover. Very Good. First edition. Very good hardcover. Volume 1 only. Former owner's name on front endpaper. Pages clean. Yellow spots on illustrated pages. Spine faded on blue cloth cover. Corners on cover rubbed and bent. Please Note: This book has been transferred to Between the Covers from another database and might not be described to our usual standards. Please inquire for more detailed condition information.
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The Painter's Terms: An Introduction to the Language of Drawing and Painting V1
by Pope, Arthur
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- Paperback
- ISBN 10 / ISBN 13
- 9781258157333 / 1258157330
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GORING BY SEA, West Sussex, United Kingdom
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Paperback. Like New.
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The Painter's Terms VOL.1 (An Introduction to the Language of Drawing and Painting)
by Arthur Pope
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- very good
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- Used - Very Good
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Albany, Oregon, United States
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CA$55.42CA$49.88Save CA$5.54!CA$5.53 shipping to USA
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Harvard University Press, 1929. Book. Very Good. Hardcover. VG blue cloth hardcover. No jacket. 1929. VOLUME 1. Painter's terms. Previous owner's name on FFEP.Pages all clean. Diagrams and plates. Light edge wear. Binding solid. 156 pp..
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An Introduction to the Language of Drawing and Painting Volume 2 : The Painter's Modes of Expression
by Pope, Arthur
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- Used - Very Good
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Johannesburg, South Africa
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Havard University Press, 1939. 2nd. Hardcover. Very Good/No Jacket. shelf wear on the boards. some usage markings. contents are clean and intact. may require extra postage. [SK]. Our orders are shipped using tracked courier delivery services.
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An Introduction to the Language of Drawing and Painting Volume I: The Painter's Terms
by Pope, Arthur
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- first
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- Used - Very Good in Good+ dust jacket
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- First Edition; Second Printing
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Baltimore, Maryland, United States
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Cambridge: Harvard University. Very Good in Good+ dust jacket. 1939. First Edition; Second Printing. Hardcover. Edge toning, light foxing, name in ink on the front endpaper, and jacket moderately toned, with dampstains, tears and chips, several cello tape repairs. ; 8vo 8" - 9" tall .
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AN INTRODUCTION TO THE LANGUAGE OF DRAWING AND PAINTING VOLUME 1 THE PAINTER'S TERMS
by Pope, Arthur
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- Used - Good
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Ottawa, Ontario, Canada
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Cambridge: Cambridge University Press, 1939. Hardcover; 156 pages. Volume 1 only. Includes 5 full colour plates at back. Blue cloth hardcovers with black titles on yellowed paper on spine. Spine generally sunned. Bumped corners. Minor edgewear. Yellowing greyish endpapers, light pencilling. Deckled page edges on textured paper, yellowing, no markings. GOOD . Hardcover. Good/No Jacket.
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The Painter's Terms: An Introduction to the Language of Drawing and Painting V1
by Arthur Pope
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- New
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- Hardcover
- ISBN 10 / ISBN 13
- 9781258054380 / 1258054388
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- 10
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Southport, Merseyside, United Kingdom
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CA$85.65CA$17.27 shipping to USA
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Hardback. New.
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An Introduction To The Language of Drawing and Painting. Volume I: The Painter's Terms
by Arthur Pope
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- Hardcover
- first
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- Used - Very Good Plus
- Edition
- 1st Edition
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- Hardcover
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Tarrington, Herefordshire, United Kingdom
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CA$62.48CA$43.39 shipping to USA
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Cambridge: Harvard University Press, 1929. 1st Edition . Very Good Plus/Very Good. 6 x 9 inches (15 x 23 cm). Dust jacket: Original jacket with light soiling and browning. Old paper reinforcements and archival tape repair to reverse, slight wear to edge of spine. Unclipped. Preserved in a removable jacket protector. Overall jacket condition is Very Good Minus. Book: Blue cloth binding with paper title label to spine. Page edges untrimmed. Very clean condition throughout. Scarce. Overall book condition is Very Good Plus. Size: 6 x 9 inches (15 x 23 cm). Hardback. Printed pages: xiii, 157 + 5 plates
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An Introduction to the Language of Drawing and Painting (2 volumes)
by Pope, Arthur
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- Hardcover
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- Used - G Both covers have significant fading and discoloration. Bookblocks have age toning, some damage to page edges. Previous owners
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Columbia, Pennsylvania, United States
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Cambridge: Harvard University Press, 1929. Hardcover. G Both covers have significant fading and discoloration. Bookblocks have age toning, some damage to page edges. Previous owners name on interoir covers of volume 1.. Blue cloth boards. Spines have paste on title block. Vol 1 157 pgs. Vol 2 121 pgs. Illustrations.
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An Introduction to the Language of Drawing and Painting, Volume I, the Painter's Terms
by Arthur Pope
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- Hardcover
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- New
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- Hardcover
- ISBN 10 / ISBN 13
- 9780674288805 / 0674288807
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- 10
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Southport, Merseyside, United Kingdom
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CA$167.34CA$17.27 shipping to USA
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Hardback. New.
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An Introduction to the Language of Drawing and Painting, Volume II, the Painter's Modes of Expression
by Arthur Pope
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- New
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- Hardcover
- ISBN 10 / ISBN 13
- 9780674288812 / 0674288815
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- 10
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Southport, Merseyside, United Kingdom
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CA$168.99CA$17.27 shipping to USA
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Hardback. New.
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An Introduction to the Language of Drawing and Painting: Vol. I -The Painter's Terms; Vol. II-The Painter's Modes of Expression *Robert Motherwell's set*
by Pope, Arthur
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- Hardcover
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- Used - VG, underlining, writing on ffep, some fading of spine
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Columbia, Pennsylvania, United States
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CA$623.48CA$12.46 shipping to USA
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Cambridge, MA: Harvard University Press, 1931. Hardcover. VG, underlining, writing on ffep, some fading of spine. Navy cloth. 157,ix,125,pls pp. 4 color, 55 bw plates. Volume I covers many aspects of tone relations and includes a bibliography and appendix. Volume II covers the visual effect, the modes of drawing, the modes of painting, and the use of abstract modes in modernistic painting. Besides the plates, the books also contain 75 line drawings. This set unique in that Volume 1 has the name Robert Motherwell , the date, and the location (Harvard University) inscribed in very neat black cursive ink on the title-page. By 1948, Motherwell had developed an entirely new and individualistic signature as well as committed himself to being a full-time artist. At the time he biought this set, he was embarking on a PhD in Philosophy after striking a deal with his father, who saw no future for his son as an artist. Apparently, art was never far from his mind, as his purchase and ownership of this set of…
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