Van Dyck and Britain by Karen Hearn ISBN 13: 9781854378583

Tate Publishing, Limited. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Tate Publishing & Enterprises, 2009. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Paperback. Very Good.

Paperback. Good.

Tate Publishing, Limited. Used - Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Tate Publishing. Used - Very Good. 2009. 01st Edition. Paperback. Small publishers mark to text block. Otherwise, Very Good.

Tate Publishing, 2009. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1500grams, ISBN:9781854378583

Published for Tate Exhibition, 256 pages, heavy. Softcover first edition in very good condition.

Tate Publishing. Very Good. 2009. Paperback. Paperback; ink name to interior of cover, otherwise very good. ; Study published to accompany the Van Dyck & Britain exhibition at Tate Britain, London, 18 February - 17 May 2009. Illustrated. ; 256 pages .

London: Tate, 2009. Card covers in clean, tidy condition. Paperback. Very Good. 4to - over 9¾" - 12" tall.

Exhibition: London, Tate Britain, 2009. 256 pages, illustrated in colour. Paperback 30 x 23.5cms. ISBN: 9781854378583.

Tate Publishing 2009 2009. Paperback, 256 pages, English, 295 x 235 mm, In Fine State. ISBN 9781854378583. Together with Holbein, Anthony van Dyck (1599 -1641) is one of the most important names in British pre-18th century art. Born in Antwerp he was a precocious talent, rising swiftly to become the chief assistant to Peter Paul Rubens, then Northern Europe's most prominent painter. His importance to British art cannot be overstated; during the turbulent years of the reign of Charles I, he single-handedly reinvented portrait painting, leaving behind a legacy that would influence later generations. Van Dyck first came to Britain in 1620 to work for James I. Between 1621 and 1627 he worked in Italy, adding to his clientele of wealthy patrons. Charles I recognised in van Dyck the potential to be the perfect creator of the royal image. The artist returned to London in April 1632 and was almost immediately knighted and provided with an enviable property and pension, becoming the chief painter of the… Read More