Paris in American Literature by Jean Meral ISBN 13: 9780807818039

Univ of North Carolina Pr, 1989-09. Hardcover. Very Good. Very good hardcover in very good dust jacket. Light shelfwear.

University of North Carolina. As New in Very Good+ dust jacket. 1989. 1st Printing. Hardcover. 0807818038 . Book NEW, DJ has crease and tear on back ; 284 pages .

Chapel Hill: University of North Carolina Press, 1989. 284pp. Index. Soiling edges, DJ: wear extremities, rubbing.. 1st. Hb. VG-/VG-.

Chapel Hill: University of North Carolina, 1989. hardcover. fine/near fine. Translated by Laurette Long. ix + 284 pages, 8vo, cloth, d.w. Chapel Hill: The University of North Carolina Press, (1989). A fine copy in a near fine dust wrapper.<br/><br/>

Brand: The University of North Carolina Press, 1989-01-01. First Edition. hardcover. Used: Good.

The University of North Carolina Press, 1989-01-01. Hardcover. New. HARDCOVER, BRAND NEW, Perfect Shape, No Remainder Mark,

Univ of North Carolina Pr, 1989-09. Hardcover. New. HARDCOVER, BRAND NEW, Perfect Shape, No Remainder Mark, 3-507

Chapel Hill: University of North Carolina Press, [1989]. 1st. Hardcover. Book fine, Dust jacket fine.. Bound in the publisher's original blue cloth with the spine stamped in black.

The University of North Carolina Press, 1989-01-01. Hardcover. New.

Chapel Hill, North Carolina:: University of North Carolina Press, 1989.. 1st Printing.. Hardbound . BINDING/CONDITION: purple cloth; owner's name and impression seal; the spine is cocked, otherwise a Very Good book, with a Near Fine dust jacket.. 8vo (about 8 to 9.5 inches tall) . Notes, bibliography, indexes.

hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

Chapel Hill: :: University of North Carolina,, 1989.. First Printing of the First US Edition. A Fine copy in a Near Fine dust jacket with two creases to the front flap. Meral explores the ways in which Paris constitutes an authentic literary subject and analyzes the differing responses to the city of such American writers as Henry James, Edith Wharton, Ernest Hemingway, John Dos Pasos, and Henry Miller. Central is that idea that, although literary Paris reflects the changing fortunes of real Paris, the Paris depicted remains a uniquely American one because the heroes of the works are expatriate Americans, who apprehend the city through a foreign sensibility.