Search Results: marco millions a play

Boni, 1927-01-01. Hardcover. Very Good.

Boni and Liveright, 1927. Hardcover. Good. Hardcover. No dust jacket. Pages are clean and unmarked. Covers show light edge wear with rubbing/light scuffing. Binding is tight, hinges strong. Previous owners name on end paper.; 100% Satisfaction Guaranteed! Ships same or next business day!

Horace Liveright, 1928. Book. Very Good. Hardcover. Rear hinge has been repaired. .

NY: Boni & Liveright, 1928. Green boards rubbed and corners and tips. Insect nibbles to sheet edges. Front inside hinge weak. No markings in text. . Fourth Printing. Hard Cover. Good/No Jacket. 8vo - 7¾" - 9¾" Tall.

NY: Boni & Liveright. VG. 1927. 1st Edition. Hardcover. First edition bound in aqua green cloth. A Very Good copy. Rubs to the corners with tiny bumps to the lower corners. Small tear at the head of the spine. The spine is darkened. The front fly leaf has a short cl osed edge tear and is tanned. Mild tanning to the pages. No dust jacke t. .

Boni and Liveright, 1927. First Edition. Good condition. No dustjacket. Normal wear.

New York: Horace Livright, 1927. Green boards have minor shelfwear. Pages are clean, text has no markings, binding is sound. . Hard Cover. Very Good/No Jacket. 8vo - 7¾" - 9¾" Tall.

London: Jonathan Cape. Near Fine in Very Good dust jacket. 1927. First Edition; First Printing. Hardcover. 8vo; 158 pages; Dust jacket with some soiling, rubbing and edgewear. Few pieces of tape repair on backside of jacket. Chip on upper rear of jacket, about 1/4 x 2 inches. .

New York: Boni, 1927. Hardcover. Good. First edition. Good hardcover. Pages brown. Small tear on foredge of front endpaper. Minor spine lean. Corners rubbed. Spine brown. Light stains on cover. Please Note: This book has been transferred to Between the Covers from another database and might not be described to our usual standards. Please inquire for more detailed condition information.

New York: Liveright, 1928. Hardcover. Good. Fifth edition. Good hardcover. 5th printing. Name on front endpaper. Pages brown. Spine discolored. Edges of spine slightly bumped. Light stains on cover. Please Note: This book has been transferred to Between the Covers from another database and might not be described to our usual standards. Please inquire for more detailed condition information.

N. Y.: Boni and Liveright, 1927. cloth hard cover is in very good condition with mild wear with no dust jacket. has illustrated endpapers. copy is unmarked and tightly bound. 180 pages plus epilogue.. First Edition. Cloth. Very Good/No Jacket. 8vo - over 7¾" - 9¾" tall.

NEW YORK: HORACE LIVERIGHT. VG IN TEAL GREEN BOARDS WITH GILT LETTERING. NO DJ. Pages: 183. . 1929. 6TH PRINTING. HARDCOVER.. LIGHTLY SUNNED AT SPINE. FAINT EDGEWEAR. P. O. INSCRIPTION FFEP. STICKER REMANT REPS. TEXT BLOCK CLEAN, BINDING TIGHT. .

Boni. Collectible - Acceptable. First edition copy. Collectible - Acceptable. No Dust Jacket Cover soiled and a few offset pages. Front hinge partially cracked. Owner's name on front endpage and stamp on rear endpage. (american literature play)

New York, Boni & Liveright, 1927.. First trade edition. 8vo. Pictorial endpapers. Original light blue-green cloth, gilt and blindstamped spine, upper cover stamped gilt and white, pictorial endpapers, top edge stained black, uncut. Very good. 180 pages. Previous owner's name on the half title page May 13, 1927. No dust jacket. Atkinson A28-I-1.a; 7,500 copies published April 23, 1927.. Hardcover. Very Good/No Jacket.

New York: Boni & Liveright, 1927. Hardcover. Near Fine/Very Good. First edition, trade issue. Nautical bookplate and small bookseller ticket on front pastedown, near fine in a slightly spine-tanned very good dust jacket with crown reinforced with tape on the verso, a few short tears and modest edgewear. Filmed in England in 1939 with Griffith Jones, Catherine Lacey and a young Robert Harris.

New York: Boni & Liveright, 1927 First edition, first printing. Original publisher's blue cloth, lettered in gilt; light blue dust jacket, lettered in black. Near fine with light fading and a touch of wear to the spine; dust jacket unclipped with some wear and shallow chips to the spine ends, spine lightly toned. Nobel laureate in Literature Eugene O’Neill’s play Marco Millions references the story of Marco Polo as a backdrop for a satirical comedy. Despite being set in the 1200s in faraway lands, O’Neill uses the play to criticize what he saw as the rampant materialism of his day. The character of Marco is inspired by both the author’s alcoholic father and the famous financier Otto Kahn. Kahn was a person O’Neill often used as a model in his work. The character Marco notably complains, "I hate idleness, where there's nothing to occupy your mind but thinking,” cuttingly implying that the elite class used finance as a diversion from their desolate internal… Read More

Boni, 1927-01-01. Hardcover. Very Good. Boni & Liveright; NY, 1927. Hardcover. First edition. Near Fine, front free endpaper has mark left from paperclip and a sticker, light wear to edges, in a Near Fine, light wear along edges, Dustwrapper. A nice, clean copy. 8vo[octavo or aprx 6 x 9 inches], 180pp. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.

London: Jonathan Cape, 1927. Hardcover. Good. First edition, trade issue. Blue cloth with printed paper spine label. Owner's pencil signature on front fly, staining on spine label, modest soiling of boards, endpapers toned, good or better lacking the dust jacket. Advance Review Copy, so stamped on front fly.

New York: Boni and Liveright, 1927. Hardcover. Near Fine/Fine. First edition, trade issue. Owners ink signature on front fly, and a little light spotting on the boards, else near fine in about fine dust jacket.

New York: Boni & Liveright, 1927. First edition. Very good to fine with attractive bookplate on verso of front endpaper; in dust jacket with tiny chips on corners and spine ends and the spine lightly tanned. A nice copy by this four-time Pulitzer Prize-winning playwright.