The Art of Richard Diebenkorn by Jane Livingston ISBN 13: 9780520212572

University of California Press, 1997-11-01. Hardcover. Good.

Berkeley: University of California Press, 1997, 1997. 1st Edition. Hardcover. Very Good/Very Good. 9x1x12. 4to. 276 pp. b/w and color illustrations. Navy cloth lettered in gilt at spine and front board. Jacket sunned at spine with light rubbing. Fine in Very Good dust jacket.

University of California Press, 11/1/1997 12:00:01 A. hardcover. Very Good. 1.4000 in x 12.3000 in x 10.2000 in. No DJ. In original slipcase in very good condition. Book is lightly read if read at all. No markings in book. Binding is fine.

University of California Press:, 1997. 275 pages, illustrated in color and b&w. "Richard Diebenkorn (1922 -1993) quietly constructed a place for himself in the history of 20th centry art with his singular vision and intense commitment to the idea and practice of both figuration and abstraction." FINE- HARDCOVER, FINE DUST JACKET.. Hard Cover. Fine-/Fine. 4to - over 9¾" - 12" tall.

University of California Press, 1997-11-01. Hardcover. Very Good/Very Good. 12x10x1. A nice hardcover with a crisp dust jacket, a tight binding and an unmarked text. From a private smoke free collection. Shipping within 24 hours, tracking number and delivery Confirmation.

New York / Berkeley: Whitney Museum of American Art / University of California Press, 1997. Fine in very good plus jacket.. First edition of this accompaniment to the Whitney Museum's 1997 Diebenkorn retrospective - "the most comprehensive survey of his work ever held" (Livingston). 12'' x 9.75''. Original blue cloth, gilt lettering on front and spine. In original color pictorial jacket (no price, as issued). Blue endpapers. 216 illustrations, 191 in full color, 25 duotone. Though no provenance markings, from the library of noted artist and photographer William Christenberry. 276 pages. Jacket with sunned spine and a touch to rear panel. Clean and sound.

Berkeley: University of California Press, 2007. Paperback. Fine. Softcover in illustrated wraps. Later printing. Book is As New, crisp and clean, with tight binding and sharp corners. Published to accompany an exhibition of Richard Diebenkorn's work at the Whitney Museum in New Work from October 1997 through January 1998.. With essays by John Elderfield, Ruth E. Fine, and Jane Livingston. Illustrated with color plates throughout. Large 4to. 276 pp. Heavy--will require additional postage if shipped priority or outside the U.S.

New York: Whitney Museum, 1997. paperback. fine/near fine. Diebenkorn, Richard. With Essays by John Elderfield, Ruth E. Fine, and Jane Livingston. 216 illustrations, 191 in full color. 276pp., 4to, blue cloth, d.w. New York: Whitney Museum of Art, 1997. A fine copy in a near fine dust wrapper.<br/><br/> Published on the occasion of the Whitney exhibition.<br/><br/>

University Of California Press. New. 1997. First Edition. 0520212576 . New in original shrinkwrap. Spine sunned but still very legible. No other damage. ; 4to, hardcover, 276 pages. .

University of California Press, 1997-11-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title!

New York/Berkeley: Whitney Museum of American Art/University of California Press, 1997. Hardcover. VG/VG (Slipcase shows minor shelf/edgewear, mild smudging; boards show mild smudging, as well as textblock, pages and binding.). Blue cloth over boards with gilt lettering; blue-cloth-over-boards slipcase with mounted illustration and light blue lettering; frontispiece; 276 pp.; richly illustrated, primarily in color. "Richard Diebenkorn (1922-1993) quietly constructed a place for himself in the history of twentieth-century art with his singular vision and intense commitment to the idea and practice of both figuration and abstraction. In this book, which accompanies the Whitney Museum's 1997 Diebenkorn retrospective exhibition, the most comprehensive survey of his work ever held, Diebenkorn emerges as an artist who restored to late modernism the sense of the sublime that seemed to fade with each successive decade after World War II. In the 1940s and early 1950s, he forged an impressive abstract… Read More

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