Heinrich von Kleist: The Ambiguity of Art and the Necessity of Form by Hilda Meldrum Brown ISBN 13: 9780198158950

Oxford University Press, USA, 1998-08-27. Hardcover. Good.

Clarendon Press, 1998. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:9780198158950

Oxford Clarendon Press, 1998. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:0198158955

Oxford Clarendon Press, 1998. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:0198158955

hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

-Clarendon Press, 1998-. First edition. xi+409 pages with index. Illustrated. Cloth. Fine in like dustjacket. The works of the major German author Heinrich von Kleist (1777-1811) have inspired many contradictory interpretations. This study offers a new perspective in which the visual and theatrical features are emphasized alongside Kleist's familiar and all-pervasive irony and paradox. His complex dramas and prose tales are here approached principally via literary - or pre-literary - features displayed in Kleist's early letters. Heinrich von Kleist. The Ambiguity of Art and the Necessity of Form. 0198158955

Hardback. New. Study of the works of the German author which offers a new perspective in which the visual and theatrical features are emphasised alongside Kleist's familiar and all-pervasive irony and paradox. His complex dramas, and prose tales are approached via literary, or pre-literary features displayed in his early letters.