Search Results: Works-on-Paper from Royoung bookseller, Inc.

New York: Rizzoli, 1991. First edition. Stiff Wraps. Orig. illustrated stiff wrappers. Fine. Clemente, Francesco. 109 pages. 26.5 x 23 cm. Illustrated with full page color plates printed recto only and additional black and white plates. Selected Bibliography.

NP: NP, ND. Fine. Archirtectural Drawing framed: 19 5/8 x 16 inches, watercolor and ink on paper. Small nicks to frame.

Philadelphia: Univ. of Pennsylvania Press, 1986. First edition. Hardcover. Orig. gray cloth. Fine in fine dust wrapper. 163 pages. 246 illustrations some in color. Catalogue of Selected Drawings. Checklist of the Weinbrenner Collection at the Univ. of Pennsylvania.Bibliography. Concordance of Inventory Numbers. Weinbrenner was the first internationally important German architect of the 19th Century.

New York: October House, 1965. 1st American edition. Hardcover. Orig. brown cloth. Near fine in near fine dust wrapper. Gaudier-Brzeska, Henri. 30 pages in text. Introduction by Mervyn Levy. Eighty-four reproductions, and four color plates. Dead at 23 years of age, Gaudier-Brzeska is honored here on the 50th anniversary of his death. Ex-library. FREITAG 3302.

New York: Arts Inc, 1960. First edition. Hardcover. Orig. black cloth. Fine in fine dust wrapper. Grosz, George. 166 pages. 28 x 22 cm. 114 reproductions, six in color. Introduction by Ruth Berenson and Norbert Muhlen. Bibliography. Grosz's essay illuminates his later, American period.

London: John Lane, 1897. First edition. Hardcover. Orig. tan decorated wrappers housed in half brown morocco and very good brown cloth slipcase with raised bands and spine lettered in gilt. Slight loss at head of leather slipcase. Beerbohm, Max. 53 pages. 16.5 x 13 cm. Number One of the Bodley Booklets printed by Will Bradley at the Wayside Press in Springfield, Mass. BOMBACE A16. Front cover of the pictorial wrappers chipped at edges with some loss. Interior clean, housed in brown cloth chemise and slipcase.

New York: McGraw-Hill, 1966. Hardcover. Orig. green cloth. Fine in slightly nicked dust wrapper. 259 pages. 29 x 24 cm. 226 illustrations, with twenty in color. Traces the history starting with Alois Senefelder. Bibliography and Index. Interior clean and fresh.

Np: Np, 2003. First edition. Stiff Wraps. Orig. illustrated stiff wrappers. Fine. 99 pages. 28.5 x 24 cm. Complete description and color illustration for each poster. The collections starts with Toulouse-Lautrec, ends with Pierre Lacroix. Twenty-one artists are represented. Index.

New York: Charles Scibner's Sons, 1914. First edition. Hardcover. Cloth backed printed portfolio with six intact linen ties. Very good. Francis Hopkinson Smith. 8 text pages. Folio, 51 x 41 cm. Twenty leaves of loose photogravure proofs, each matted with tissue guards and printed descriptive label tipped to each verso. Limited edition, copy 92 of 150 signed on limitation page by Smith and the publisher. "Coffee Room, George Room" plate additionally signed in pencil by Smith. Francis Hopkinson Smith was a United States author, artist and engineer, as well as the descendant of a signer of the Declaration of Independence. He built the foundation for the Statue of Liberty, the Race Rock Lighthouse (southwest of Fishers Island, New York. Plates crisp and bright, uneven toning to matting of half title, linen slightly split along joints of portfolio.

Paris: Hyperion, 1939. First edition. Paperback. Orig. illustrated wrappers. Very good.. 59 pages in text. 31 x 22 cm. Sixty-four black and white plates. Alphabetical List of Artists. Cover very slightly toned, nicks backstrip extremities.

Paris: Librarie des Arts Decoratifs, 1960. First edition. Paperback. Orig. printed gray wrapper portfolio. Very good.. 16 pages in text. Folio, 30 x 23 cm. Fifty-two plates, a few in color loose as issued. Lithographs by major French artists -- Ingres, Daumier, Manet, Dore, Renoir, Lautrec, Bonnard, Matisse et al.

London: George Bell & Sons, 1898. Hardcover. Orig. quarter vellum and brown cloth lettered in gilt, lacking original ties. Very good. 33 x 25.5 cm. Limited edition, copy 15 of 25 portfolios containing 24 hand-printed proofs signed in pencil by T.R. Way, and signed on the limitation notation by Way.. The first edition of 280 copies printed a year earlier were neither signed nor hand-printed. Laid-in, eight page booklet of "Short Notes taken from Mr. H.B. Wheatley's Descriptions" provided gratis -- fairly detailed descriptions of each plate. All plates mounted on heavy stock. Plates clean, wear at portfolio spine extremities, soiling to vellum.

New York: Brooklyn Museum Bookshop, 1982. First edition. Stiff Wraps. Orig. illustrated stiff wrappers. Fine in original unopened publisher clear plastic wrappers. Bourgeois, Louise. 144 pages. 30.5 x 22.5 cm. Illustrated in color and black and white.

New York: Museum of Modern Art, 1969. First edition. Spiral Bound. Orig. gold stiff wrappers lettered in black. Fine in original publisher's shipping box. Landscape folio, 45 x 61 cm. Introduction and Notes to the Plates by Ludwig Glaeser. 31 full page plates in color and black and white. " All the drawings in this selection represent projects, since with few exceptions only drawings of unrealized works found their way into the Museum or any other collection.

New York: Abrams, 1984. 1st American edition. Hardcover. Orig. illustrated blue cloth. Fine in fine dust wrapper. Chagall, Marc. 210 pages. Translated from the German by Robert Erich Wolf. Forty-two full-color illustrations within a total of seventy-seven plates. Apart from the specific emotive and mystical Russian-Jewish themes, Chagall is discussed in context of the emerging art movements in Paris, especially Orphism and Cubism.

London: Macmillan, 1926. First edition. Hardcover. Orig. black cloth. Near fine in very good dust wrapper. 150 pages in text. Translated, with a Foreword by J.D. Beazley. 166 illustrations. Bibliography. List of Artists of The Attic Vases illustrated. Index. ARNTZEN/RAINWATER M69. "...a collection, though not an arbitrary one, of masterpieces of Greek painting and drawings..." CHAMBERLAIN1205. LUCAS p20.

New York: MOMA, 1983. First edition. Hardcover. Orig. beige basket weave cloth lettered in gilt. Fine in near fine dust wrapper. 216 pages. 31 x 24.5 cm. 100 color illustrations. Index of Artists with each plate accompanied by an in depth analysis by Elderfield.

Princeton: Princeton Univ. Press, 1976. First edition. Orig. cloth and boards. Fine in very good dust wrapper. Murillo, Bartolome Estaban. 200 pages. 22 x 26.5 cm. Voluminously illustrated with nearly 100 black and white reproductions, over one-third of which have not previously been studied or published, as well as seventy-one comparative illustrations. Catalogue Raisonne of Drawings by Murillo. Bibliography. Index. FREITAG 6916 . "Published in conjunction with an exhibition of drawings by Murillo held at the Art Museum, Princeton University, Princeton, N.J., Dec. 12, 1976-Jan. 30,1977.

Paris: Editions de la Revue Blanche, 1899. First edition. Hardcover. Orig. printed cream stiff wrappers with original acetate overwrapper. Fine in fine orange clam shell box with gilt lettered black cover label. 45 x 35 cm. One page Preface by Marcel Prevost, French novelist and women's rights advocate. Limited edition, copy 16 of 44 on Japan imperial paper. 18 color pochoir plates of contemporary actresses in their famous roles, including Sara Bernhardt, Marthe Brandes, Mariette Sully, Lucienne Breval, et al. An early caricature work by Cappiello before his acclaim as a poster artist. Cappiello started his career illustrating in journals: Le Rire, Le Cri de Paris, Le Sourire, L'Assiette au Beurre, La Baionnette, Femina, and others. In 1898, he moved to Paris, and his caricatures were published in Le Rire for the first time. He was the first poster artist to use bold figures popping out of black backgrounds. Bright, very fresh copy, most signatures unopened.

Minneapolis: Northcraft Studios, "At The Sign of the Pine, 1920. First edition. Hardcover. Quarter bound in tan buckram, descriptive front cover text. Very good. Portfolio is 15 x 12 1/2 inches. A complete set of five etchings: Canal Bridge, The Old Well at Toul, A Street Scene, The Fireside, The Fagot Gatherer, plus at inside back cover a bifold leaf, a description of each and an additional etching, "Here am I," a crane hoisting debris. Sizes of the five etchings in inches: Canal [7 1/8 x 10 1/4]. Old Well [10 1/4 x 7 5/8], Street [9 1/2 x 6 1/2], Street [9 1/2 x 6 1/2], Fireside [6 3/4 x 6], Gatherer [9 1/8 x 7 1/4]. Two of aforementioned printed is sepia, all on laid paper, distinct plate impressions on each. Edwill Fisher (1896-1960], an American artist from Indiana, thence to Minneapolis. He was a cartographer in the US Army during WWI in France. After the war he studied art and etching in France. Front cover with iridescent gold, green, orange and blue marbled designs. Covers lack spine.