Search Results: Political Theory Of Painting From Reynolds To Ha… by John Barrell

Yale University Press, 1995. Paperback. Good. Former library book. Slightly creased cover. Slight signs of wear on the cover. Edition 1995. Ammareal gives back up to 15% of this item's net price to charity organizations.

Yale University Press. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

New Haven, CT: Yale University Press, 1986. Hardcover. Near Fine/Near fine. Green cloth boards in dust jacket, octavo, 366pp., illustrated in b&w. Book has hint of wear to spine ends and corners, binding tight, text clean bright and unmarked. DJ has hint of toning and rubbing.

Yale University Press, 1986. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Yale University Press, 1995-04-26. Paperback. Clean & Unmarked . 5x0x8. A very nice clean & straight copy. Nearly new. 366 pp.

Yale Univ Pr. Near Fine in Near Fine dust jacket. 1986. Hardcover. 0300037201 . Illustrations - b/w. "What is the function of painting in a commercial society? John Barrell here discusses how British artists and writers in the late eighteenth and early nineteenth centuries attempted to answer this question, and his provocative and illuminating book offers a new perspective on both art criticism and eighteenth-century British culture. "; 8vo; 366 pp .

New Haven: Yale University Press. Fine copy. 1986. 1st. hardcover. 8vo, 366 pp. .

Yale University Press, 1995 8vo (21.5 cm), 378 pp. Laminated wrappers. "What is the function of painting in a commercial society? John Barrell discusses how British artists and writers of the late eighteenth and early nineteenth centuries, including Sir Joshua Reynolds, William Blake, and James Barry attempted to answer this question. His provocative and illuminating book offers a new perspective on both art criticism and eighteenth-century British culture." (from the publisher's description)

Paperback. USED - Very Good.

New Haven: Yale University Press, 1986. First printing. Hardcover. Near Fine/Near Fine. First edition, 1986. Cloth hardcover in dust jacket, illustrated, 366 pp., clean unmarked text, Near Fine copy in Near Fine dust jacket. Dust jacket housed in archival dust jacket protector.

New Haven: Yale University Press, 1986. Hardcover. First Edition, First Printing. 6 x 9in. vii. 366pp. Publisher's cloth boards. NEAR FINE in Near Fine dust jacket. The book itself shows a former owner name whited out and a sticker shadow on the front endpaper, else Fine/As New. The dust jacket shows the slightest hint of shelf rubbing along the edges, else Fine/As New. As pictured.

Yale University Press, 1986. 1st Edition . Hardcover. Good/Good. 8vo - over 7¾ - 9¾" tall. With unclipped dust jacket with slight shelf wear to base of spine otherwise free from nicks and tears. No inscription. Fore and top edges of text block moderately soiled otherwise internally clean throughout. "What is the function of painting in a commercial society? John Barrell here discusses how British artists and writers in the late eighteenth and early nineteenth centuries attempted to answer this question, and his provocative and illuminating book offers a new perspective on both art criticism and eighteenth century British culture.

Yale University Press, 1986. 1st. Hardback. Very Good/Very Good. First edition hardback, 1986, with unclipped jacket. In overall very good used condition with only slight signs of age, handling and storage - dust jacket just a touch rubbed; boards clean and crisp. Binding tight and appears little read. Internally clean, no annotation or inscriptions - small name and address label of previous owner to front end-paper; text and illustrations bright and clear throughout. Not an old library book.

Yale Univ Pr, 1986-12-01. First Edition. Hardcover. Good. Good condition. Dust jacket is lightly worn along edges and corners. Slightly sun-faded, though a mylar has now been added to further protect it. Slight foxing and fading on the first and back couple pages. Light foxing on text block. Light pencil markings on a few inside pages, though the majority of the pages remain unmarked. Well-bound, sturdy copy.

paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

Yale Univ Press, 1986 HARDCOVER 1986 1st Printing in dust jacket AS NEW, Fine in Fine, no remainder or other markings, age-tanning to jacket edges, else Fine (dj in mylar); 8vo; xii + 366pp indexed & illus. First Edition. Hard Cover. Fine/Fine.

Paperback / softback. New. What is the function of painting in a commercial society? This text describes how British artists of the late-18th and early-19th centuries attempted to answer this question.

hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

Yale Univ Pr. hardcover. New. New. In shrink wrap. Looks like an interesting title!

Yale University Press, 1995-04-26. Paperback. New. New. In shrink wrap. Looks like an interesting title!