Search Results: Fear and Loathing In Las Vegas by Hunter S ; Steadman, Ralph Thomp…

Harper Perennial, 0000-00-00. New. paperback. Used: Good.

Vintage, 1998-05-12. Paperback. New.

Vintage, 1998-05-12. Paperback. Used:Good.

Vintage, 1998-05-12. Paperback. Like New.

Harper Perennial, 0000-00-00. New. paperback. Used:Good.

Warner Books. Mass Market Paperback. Very Good. 8x5x0. Softcover. Very Good condition. Free of any markings and no writings inside. Clear Text. Minor shelf-wear. Previous bookstore sticker over barcode on back cover. Mild age tanning. For any additional information or pictures, please inquire.

Paladin, 1993-07-11. paperback. Good. 8x5x1. Book is in good condition. Slight discolouration to the pages.

Vintage, 1998-05-11. paperback. New. 5x0x7.

paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

Harpercollins Pub Ltd, 2005-03-31. Paperback. New. New. In shrink wrap. Looks like an interesting title!

Warner Books, 1982-12-01. Mass Market Paperback. New. New. In shrink wrap. Looks like an interesting title!

Harpercollins Pub Ltd, 1998-08-31. Paperback. New. New. In shrink wrap. Looks like an interesting title!

Paladin , 1976 . 0586081321 Second printing. Front cover set a little forward, minor wear to cover & edge, paper darkened with age.

New York: Random House, 1971. First edition. First edition. [x], 206 pp. Bound in publisher's gray blindstamped boards with black cloth backstrip, lettered in silver. Very Good+ with sunning along top edge of boards, name written on front free end paper, very slight lean, in a spine-sunned dust jacket, unclipped, lightly worn. The first appearance in book form (following two 1971 issues of Rolling Stone) of Hunter S. Thompson's drugged-out travelogue to/rampage through Las Vegas, with its iconic splattered ink illustrations by Ralph Steadman. It inspired the 1998 Terry Gilliam film by the same name.

New York: Random House, 1971. First Edition. Near Fine/Near Fine. First edition, first printing. Bound in publisher's original black paper boards over black spine cloth lettered in silver Near Fine with light lean to binding, a thin strip of sunning to top and bottom edge of boards, light spotting to top of textblock edge and former owner name to front free endpaper. In a Near Fine unclipped dust jacket with red print on spine vibrant and uncommon as such; light toning and light edge wear. A nice copy of the author's most well-known work.

New York: Random House, 1971. First Edition. Very Good+/Near Fine. First edition, first printing. [x], 206 pp. Bound in publisher's gray boards stamped in blind over black spine cloth lettered in silver. Very Good+ with slight lean to binding, sunning along top edge of boards and foxing to top of textblock edge. Evidence of bookplate removal to front pastedown. In a Near Fine price-clipped dust jacket with light toning to edges and slightly rubbed; red lettering on spine is bright and unfaded, vertical crease to front panel. The first appearance in book form, following two 1971 issues of Rolling Stone, of Hunter S. Thompson's drugged-out travelogue to/rampage through Las Vegas, with its iconic splattered ink illustrations by Ralph Steadman. It inspired the 1998 Terry Gilliam film by the same name.

New York: Random House, 1971. First Edition. Near Fine/Near Fine. First edition, first printing. [x], 206 pp. Bound in publisher's gray blindstamped boards with black cloth backstrip, lettered in silver. Near Fine with sunning along top edge of boards and foxing to top edge. In a Near Fine unclipped dust jacket with light toning to edges and slightly rubbed; red lettering on spine is bright and unfaded. The first appearance in book form (following two 1971 issues of Rolling Stone) of Hunter S. Thompson's drugged-out travelogue to/rampage through Las Vegas, with its iconic splattered ink illustrations by Ralph Steadman. It inspired the 1998 Terry Gilliam film by the same name.

New York: Random House, 1971. First Edition. Near Fine. Advance uncorrected proof of the first edition. Bound in publisher's original blue wraps pritned in black labeled "Uncorrected Page Proof" on the top of the front cover. Near Fine with the author's last name handwritten in red ink to the spine and bottom textblock edge; fading to spine. Paperclip mark to top of front cover and the first several leaves are lightly bumped at the top corner. Contents lightly tanned and with a tiny spot to the textblock edge. The author's best-known and classic work, very uncommon in this format.