Search Results: Maud by Alfred Lord Tennyson

London: Jarrold & Sons, 1111. Hardcover. Very Good/No Jacket. 24mo - over 5 - 5¾" tall. Not dated. Edition and printing not known. Miniature size, from 'The Miniature Classics' series, edited by George Goodchild. In very good quarter navy leather and blue/green boards, with gilt titles to back strip. The covers are tight, straight and fairly clean, corners and spine ends a little frayed. Clean end papers; name on front paste down. Tanned and deckled cut edges. The text block is firm, square and not marked. Decorative title page with black and red titles. Very good condition.

London: Macmillan & Co., 1922. 1st . Hardcover. Good/None. Edmund J. Sullivan. Hardcover, 8 color (frontispiece with tissue guard), and black & white illustrations by Edmund J. Sullivan. 103 pages. Spine fade. Silver lettering, decorated front cover. Browning to pages. Front paste down separated from front flyleaf. Previous owner's bookplate on front pastedown. Record # 500206

Macmillan, 1922. hardcover. Very Good. 0x0x0. 1922; London; ***photo does not match cover***; white cloth covered boards with silver titles and artwork; mild edge wear; light rubbing; interior is clean and unmarked; pages are lightly toned; color illustrations throughout; 8vo, 7 3/4" to 9 3/4" tall; 103 pages

London: Macmillan & Co., 1922. 1st . Hardcover. Good/None. Edmund J. Sullivan. 8 color (frontispiece with tissue guard), and black & white illus. by Edmund J. Sullivan.103 pages. Spine fade. Silver lettering, decorated front cover. Browning to pages. Front pastedown separated from front flyleaf. Previous owner's bookplate on front pastedown. Record # 500206

Macmilan & Co, 1922. First Edition. Hardcover. Poor/No Jacket. boards are worn, chipped and stained. thorough foxing, staining and marks. mainly a reading copy.[SK]. Our orders are shipped using tracked courier delivery services.

London: Macmillan & Co. , 1896. Hardcover. Good. Neat little 32mo. leather bound People's edition of Tennyson's collections of poems. In two parts bound as one. All edges gilt. Marbled endpapers. Rubbing to extremities and spine but contents tight and clean. good overall.

East Aurora, NY: Roycrofters, 1900. Very good. 8vo. Full suede leather. Minor shelf wear. This is a leather-bound printing of Tennyson poem. Handmade book by the Roycrofters, the celebrated arts and crafts community of East Aurora, NY. (McKenna 63).

Macmillan, 1922. Hardcover. Very Good. in x in x in. Macmillan 1922. Hardcover with tight binding. Condition: Very Good. Clean and bright text. Fine Woodcut illustrations.

East Aurora: Roycrofters, 1900. hardcover. very good(-). Thin 8vo, olive green flexible suede, spine faded to brown; yapped edges. East Aurora: Roycrofters, 1900. First edition thus.<br/><br/>

London: Macmillan And Co. Limited, 1922. Hardcover. Very Good/No Jacket. Edmund J. Sullivan. Limited edition - one of 520 copies signed by the illustrator. In good plus green thick boards with light tan linen-effect spine with white paper title field and black titles . The covers are very tight, quite clean; corners bumped. Tanned free end papers; front free end paper has name of previous owner. The rear paste down is wrinkled as if from damp. Deckled and age-toned cut edges. The text block is tightly bound, square and in very good condition with lovely illustrations (some coloured) and vignettes by Edmund J. Sullivan, not tanned or foxed.

London: Macmillan and Co. , 1922. Cloth. Very Good. 9" by 6". Edmund J. Sullivan . A later, illustrated edition of Alfred Lord Tennyson's epic poem, first published in a collection of poems after becoming poet Laureate. With illustrations by Edmund J Sullivan. A later edition of this work, a poem originally published in 1850 in the first published collection of poems by Alfred Lord Tennyson after becoming poet Laureate. A chivalric-style love poem, where Tennyson returned to poetry of sensation, expressing through fragments of feelings the issues of identity, intellect, and modernity. Profusely illustrated throughout with illustrations in colour and black and white by Edmund J Sullivan. In the original publisher's cloth binding with decorative silver to front board and spine. Externally very smart with only minor shelfwear and minor bumping to head and tail of spine. Cloth to spine and extremities has slightly darkened, more pronounced due to the white colour of the cloth. Internally, firmly bound.… Read More

London: Strahan and Co. , 1869. Leather. Very Good. 6.5" by 4" . None . The collected poems of Lord Tennyson in five volumes, attractive set in uniform calf bindings. Collection of poetry by the famous English poet Alfred Lord Tennyson, the Poet Laureate during the reign of Queen Victoria. Comprising Maud, In Memoriam, The Princess, Enoch Arden, &amp;c in five uniform volumes, rebound in attractive full calf with gilt edges. In uniform calf bindings with five raised bands, gilt tooling to spine extremities, gilt to edges. Externally smart with minor shelf wear, rubbed to spine, back strip darkened, rubbing to joints. Internally, firmly bound. Light spotting to first and last few leaves, pages otherwise bright and clean. Very Good

The First Essex House Press edition printed in 1905. One of 125 copies only, this copy is out of series and unnumbered. The BOOK is in near Fine condition. Each printed on vellum and hand-coloured, with a frontispiece by Reginald Savage and Laurence Housman in collaboration, cut by Clarence Housman. Original vellum, spine lettered in gilt, rose and 'Soul is Form' blind-stamped on the front cover as issued. The vellum is in very bright condition with just some slight curling of the yapped edges. Printed in Caslon type. Hand-coloured wood-engraved frontispiece, with hand-coloured and illuminated initials throughout. The frontis in this copy is highly coloured as opposed to some copies where there is far less colouring. Internally clean. The vellum covers are remarkably clean for their age. Tennyson's poem was first published in 'Maud, and Other Poems' in 1855, his first collection after becoming poet laureate in 1850. The illuminations to this work were carried out by Anastasia Power. Power was a… Read More