Search Results: the tradition of new by rosenberg harold

University of Chicago Press, 1982. Paperback. Acceptable. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

University of Chicago Press. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Grove Press, Inc., 1961. Soft cover. Good. 286 pages. Essays (chapters) on aspects of mid-20th-century art and popular culture in America. Trade paperback, creases and some soil/foxing to wraps, top edge dust-soiled, edges and end papers age-toned with foxing, tan stage from laid-in newspaper clipping on p. 28-29. Names of former owners Profs. Warner and Ann Berthoff written on ffep, their underscoring and/or marginalia on approximately 90 pages (his especially in chapter on Jacques Maritain) and rfep. Two clippings are laid in: a 1969 essay by Rosenberg in the New Yorker, and his obit from the NYT (1978).

UsedGood. Pages are clean! The cover has visible markings and wear. Some foxing on the edges There is staining on the text block edges Fast Shipping - Each order powers our free bookstore in Chicago and sending books to Africa!

Da Capo Press, 1994-08-22. Paperback. Like New.

Da Capo Press, 1994-08-22. Paperback. New.

Chicago: University of Chicago Press, 1982. 285 pages; 21 cm. Near fine. Tight, clean copy. Light edgewear. First edition thus. "For many years Harold Rosenberg was art critic for The New Yorker and professor in the Committee on Social Thought and in the Department of Art at the University of Chicago. His imaginative grasp of the contemporary artist's aesthetic and cultural situation influenced not only the field of art criticism but also the practice of art and the process selection that proclaimed the importance of such major postwar figures as Barnett Newman, Arshille Gorky, Jackson Pollock, Franz Kline, Mark Rothko and Willem de Kooning." - Publisher.. 1st. Paperback. Very Good. 8vo.

New York: McGraw-Hill, 1965. Softcover. Very Good. Very good in wrappers. First thus. Rubbed along spine ends and corners. Cover yellowed. Please Note: This book has been transferred to Between the Covers from another database and might not be described to our usual standards. Please inquire for more detailed condition information.

New York: McGraw-Hill Book Company, 1967. Softcover. Very Good. Reprint. Trade paperback. 285pp. Penned drawing on title page, wrapper edges soiled, about very good. Essays on American painting, poetry, sociology and politics.

McGraw Hill. Collectible - Good. 1965. 1st, First Edition. Soft Cover. (L224) .

McGraw Hill. Fair. 1965. First Edition, Stained. Soft Cover. (N175) .

(London): Thames and Hudson, 1962. Hardcover. Very Good/Very Good. First edition. Gilt-stamped red cloth. Light foxing on endpapers and page edges, spine a bit cocked, mustiness, very good in a very goood dustwrapper with three inch closed tear on rear panel. Essays on American painting, poetry, sociology and politics.

paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

Horizon Press Inc., 1959. First Edition. Hardcover. USED Good/Fair Jacket. No additional printings listed. Jacket has some rubbing and chipping, but is brodarted. Text mostly clean, with the occasional pencil underlining or dog ear. Pencil notes on endpapers.

Paperback. Good. Access codes and supplements are not guaranteed with used items.

Horizon Press Inc, 1959. Hardcover. Acceptable. Former library book; Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Da Capo Press, 1994-08-22. Paperback. New. New. In shrink wrap. Looks like an interesting title!

New York: Horizon Press Inc., 1959. Half-cloth, 285 pages; 22 cm. Firm binding, clean inside copy. Expected browning. Dust jacket, with light shelfwear, protected in a mylar cover. A collection of essays by art critic Harold Rosenberg, leading champion of the Abstract Expressionists (which he called "action painting"), especially Willem de Kooning (who designed the jacket for this book). His nemesis was fellow New York Jewish intellectual Clement Greenberg. This is his most influential collection of essays. CONTENTS: Parable of American painting; The American action painters; Extremist art: Community criticism; Virtual revolution; Everyman a professional; Revolution and the concept of beauty; French silence and American poetry; The profession of poetry and M. Maritain; "Oh this is the creature that does not exist"; The comedy of the divine; Character change and the drama; The resurrected Romans; The heroes of Marxist science; Politics as dancing; The fall of Paris; Couch liberalism… Read More

hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.