Search Results: the pastoral loves of daphnis by moore george

William Heinemann, 1936-01-01. Hardcover. Very Good. VG black cloth covered boards with gilt lettering along spine; light rubbing spine edge. Binding and hinges secure. Contents clean and unmarked. No dust jacket. 144pp. Reprint edition. All items carefully packed to avoid damage from moisture and rough handling.

New York: Boar's Head Books, 1953. First Edition. Hardcover. Very Good in Good dust jacket. First Edition. Sound binding. Clean, tanned pages. Paper over boards is edge rubbed. DJ has general shelf wear, some edge wear, ; Illustrated with erotic drawings, this is an English-language translation of the work of 2nd century AD Greek writer Longus, telling the story of Daphnis and Chloe, who find sensual love with each other after mishaps and adventure. ; 8.25" tall; 177 pages.

London : Heinemann. Used - Good. Good condition. No Dust Jacket (daphnis, romance fiction, fantasy fiction ) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

William Heinemann Ltd.:, 1924. 164 pages, illustrated. This edition is limited to 1280 copies, signed by the author, of which 1250 are for sale, and 30 for presentation. This book is number 484, signed. VERY GOOD HARDCOVER, lettering is bright on the spine. The corners and spine edges of the book shows some were. Internally fine.. Hard Cover. Very Good/No Dust Jacket Present.. 8vo - over 7¾" - 9¾" tall.

London: William Heinemann Ltd, 1924. First Edition. Hardcover. Very Good. 8vo 8" - 9" tall. Signed by Author. A SIGNED and NUMBERED copy by George Moore, the Irish novelist, playwrite, editor and critic. His Wikipedia entry notes that George Augustus Moore (24 February 1852 – 21 January 1933) "came from a Roman Catholic landed family who lived at Moore Hall in Carra, County Mayo," and after being unsuccessful in art training in Paris as a painter, he began studies in literature, having been influenced greatly by Emile Zola (and influencing in turn, James Joyce). Light brown paper over boards, oatmeal-colored cloth-backed, some bumping to spine head and foot, a couple of dings to boards, bruised but not broken tips, rubbed gilt lettering to spine. #979 of 1280 copies thus. Frontis matter, 1-163 [1] pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

William Heinemann. Used - Good. 1924. William Heinemann. Cloth, no dj, octavo, 163 pp. #150 of 1,250 copies, signed by the translator, George Moore. Some scuffing and light discoloration to boards. Pages clean, solid binding. Very Good. (Subject: Ancient, Greek Literature.)

The Limited Editions Club , 1934. Book. Good+. Hard Cover with Slipcase. Signed by Illustrator(s). Limited Edition. 4to - over 9¾ - 12" tall. Orangish-tan full-leather hardcover with gilt lettering to spine; stamped frames on boards; gilt medallion illustration on front; top edge gilt; limited edition.1393/1500; signed in back by Ruth Reeves. Good plus condition: tail of spine with wear; very slight wear otherwise to binding; straight; inner front hinge cracked but holding; back hinge has been glue-repaired and is good; pages excellent condition. Slipcase also about good plus: mottled and soiled; mild wear but no splits..

William Heinemann. Used - Very Good. 1924. Cloth. 8vo. 164 pp. Number 345 of a limited printing of 1250 copies. Signed by the author. Some shelf wear and discoloration to boards. Discoloration, fading, and staining to spine. Corners slightly bumped. Binding is secure. Some pages uncut. Heavy toning to pastedowns, mild natural toning and slight soiling to pages which remain otherwise unmarked. Altogether a copy in quite sound condition. (Subject: Ancient, Greek Literature.)

London: William Heinemann, 1924. Hardcover. Orig. quarter vellum, spine lettered in gilt. Fine in very good, spine darkened dust wrapper.. 164 pages. 24 x 14 cm. Limited edition, copy 1166 of 1280, signed by the author. Illustrated with woodcuts. Partly unopened, Clean, very fresh copy.

London: William Heinemann Ltd.. Very Good. 1924. Hardcover. 1 of 1280 copies, signed by the author. Tan paper covered boards, gilt stamping to spine, covers are slightly scuffed and toned, untrimmed pages show some light foxing but are otherwise bright and complete, very good in a toned, chipped dj. .

1924. 1924 Moore, George THE PASTORAL LOVES OF DAPHNIS & CHLOE London: william Heinemann, 1924 #978/1280cc Signed by the author Illustrated with wood engravings, errata slip tipped-in on page 113 8vo Cream cloth stamped in gold over paper-covered boards Light rubbing and shelfwear on corner tips and lower edges of boards, interior bright and clean Very Good+ hardcover.

London: Heinemann, 1924. First. hardcover. fine. 8vo, cloth-backed boards, d.w. London: Heinemann, (1924). Limited First Edition.<br/><br/> One of 1280 signed copies. Fine copy, in a browned dust wrapper, reinforced with tape on the verso.<br/><br/>

London: Heinemann, 1924. First edn. 8vo, pp. 164. One of 1280 large paper copies, signed by the author. Bound in cloth backed boards, uncut.

London: William Heinemann, 1924. Hard Cover. Good/No Jacket. Signed by Author. Limited edition #720/1280; signed by George Moore. Light wear and smudges to cover. Age-toned pages and foxing.

The Limited Editions Club, 1934. Hardcover. Very good/No jacket. Ruth Reeves. #649/1500cc. Signed by illustrator Ruth Reeves. 3/4 leather. Covers edgeworn. Frontispiece mildly soiled.

New York: Limited Editions Club, 1934. Limited ed. Full Leather. Near Fine. xxv 130pp. Bound in tan lambskin with gilt title lettering to spine. Housed in original slipcase which has been covered professionally in black. Limited to 1500 copiues signed by the illustrator Ruth Reeves, who did 24 etchings for the work, this being copy 598. Printed on hand-made Bishopstoke all-rag paper. LEC card laid-in. Some scuffing to head and tail of spine.

London. William Heinemann. 1924. Bound by Audran in full tan morocco. Fillet blind stamping to front and rear covers. Red and black gilt titled morocco labels. 8vo. (5.75 in. x 9.5 in.). This edition is limited to 1280 numbered copies of which this is number 468 signed by George Moore. Illustrated with 11 copper plate engravings. An exquisitely printed production of the classic Greek tale of love. A Very Fine copy.