Search Results: the art of margot fonteyn by keith money

Reynal & Co, 1965. Hardcover. Good. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

London: Michael Joseph, 1965. Hardcover. Very good condition with text clean & binding tight / rubbed and lightly soiled dust jacket. Size: 8.75"x11.25", profusely illustrated with the b/w photographs of Keith Money.

New York: Reynal & Company, 1965. 1st Edition . Hardcover. Very Good/Good. 4to - over 9¾ - 12" tall. Keith Money (Photography). Unpaginated. Tan buckram cloth, gilt lettering to spine. Cover is unworn, contents are clean. Dust jacket spine and edges slightly darkened, 1/2 inch clean tear to head of spine. Facsimile signature of Margot Fonteyn on half-title page.

Np [New York]: Reynal & Company,, 1965-01-01. Hardcover. Good. 1.3386 11.1024 8.7402.

Reynal & Co, 1965. Hardcover. Good. Former library book; Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Ex-Library copy with typical library marks and stamps. Dust jacket missing. Shelf and handling wear to cover and binding, with general signs of previous use. Boards betray fading and nicks and other signs of wear and imperfection commensurate with age. Binding is tight and structurally sound. Signature printed on half-title page; interior pages with text without any extraneous marks. Sealed in plastic for shipping. Secure packaging for safe delivery.Dust jacket quality is not guaranteed.

New York: Reynal & Company, 1965. PHotographed by Keith Money; with a commentary by Ninette de Valois, et al. [272]p., many b/w illus., quarto format, slightly chipped dj, bit of minor damp-rippling on the lower margin of the first dozen pages.

(London): Harvill, 1994. Hardcover. Good/Good. First British edition. Folio. Remainder mark, light dampstain on bottom corners of pages and boards, good only in a good only dustwrapper with corresponding dampstain.

London: Michael Joseph, 1963. Very Good/Good-. Dame Margaret Evelyn (1919 â€" 1991) was an English ballerina She spent her entire career as a dancer with the Royal Ballet, eventually being appointed prima ballerina assoluta of the company by Queen Elizabeth II Beginning ballet lessons at the age of four, she studied in England and China, where her father was transferred for his work Her training in Shanghai was with Russian expatriate dancer Georgy Goncharov, contributing to her continuing interest in Russian ballet She succeeded Alicia Markova as prima ballerina of the company in 1935 In 1961, when she was considering retirement, Rudolf Nureyev defected from the Kirov Ballet while dancing in Paris Fonteyn, though reluctant to partner with him because of their 19-year age difference, danced with him in his début with the Royal Ballet in Giselle The duo immediately became an international sensation, each dancer pushing the other to their best performances This copy is in gray buckram with gilt… Read More

unpaginated. Black and white photographs of Fonteyn with commentary contributed by Ninette de Valois, Frederick Ashton, Keith Money and Margot Fonteyn. price-clipped dj with very light scratch to coating on front to right of "The Art of" in title, impression of paper clip on top of back end paper. Boldly signed by Margot Fonteyn on half-title page. Photographs of Fonteyn included eighteen different ballets over a period of almost two years, action photos of performance or rehearsal. Printed in Great Britain on thick uncoated stock.