Search Results: h s mauberley by pound ezra

New York: Boni and Liveright, 1926. Book. NVG. Original Cloth. First Edition. Book has owners signature, wear to corners, head and heel of the spine. Gilt lettering on the spine is rubbed and dull. Lettering on the cover is complete..

Milan: All'Insegne del Pesce d'Oro, 1959. copy number 206 of 1000, 19591000. Very Good. 1959. Soft cover. softback, 8vo, 57pp, 3 drawings by Jean Cocteau, parallel text in English and Italian, clean and tight, no inscriptions, Very Good condition .

Milan: All'Insegna del Pesce D'Oro, 1959 pp 60 Number 492 of edition of 1000 copies . Close to fine condition subject to slight shelfwear to wrapper

UsedGood. 1927 Boni Liveright. Good solid copy, mild to moderate reading/age wear, no DJ if issued, may have some light markings or exowner inscription. We take great pride in accurately describing the condition of our books and media, ship within 48 hours, and offer a 100% money back guarantee. Customers purchasing more than one item from us may be entitled to a shipping discount.

NY&: Boni & Liveright, 1927. First Edition. Hardcover. Near Fine/Good. Hardcover. Near Fine in Good dust jacket. Blue cloth, gilt titles; light fraying to page outsides, slightest fading, due to age; text is clean and bright, unmarked. Light edgewear of boards. Spine tight. Dj is in 5 pieces, seperated at the seams, and is misisng the lower 1/2 of the spine of the DJ. Please be advised that this is a chipped DJ with a consistent loss of .10" to all sides of each separated section; housed in mylar wrap with paper backing. Pages: 231. First edition, Second Printing. 8vo.

Norfolk, Virginia: New Directions, 1946. Hardcover. Very Good. Norfolk, Virginia: New Directions, (1926) 1946. 8 1/2 x 5 1/2 inches: pp. (16), 231. Blue cloth with titles in gilt on cover and spine. Liveright on bottom edge of spine. New Directions printed on bottom of title page. Corners bumped, light wear to head and tail of spine, cover bright. Some toning to endpapers, text clean and bright. Gift inscription [see below] inside front cover and small sticker from Paul Elder Books in San Francisco on rear inside board. Binding tight. No dust jacket. Note: First published by Liveright in 1926 as stated on the copyright page. According to Gallop's Bibliography of Ezra Pound [pg.40], in 1946 New Directions took over 465 copies and 525 sets of sheets of the sixth impression from Liveright, and the sheets, with a cancel title-leaf were bound up in red or blue cloth and a new dust jacket. This is one of the bindings from the sheets, with the cancel leaf. There is a gift inscription in ink on the front… Read More

New York: New Directions / Horace Liveright [1946], 1946 First Printing of this reissue in variant red cloth, Liveright cancel title page and Gaudier-Brzeska portrait frontispiece, no markings, no dust jacket, slight shelf wear only, boards sharp binding tight, slight softening to spine ends, spine faded but titles legible, offsetting to endpapers, else bright tight copy of this edition printed from the original Liveright sheets & bound in blue or red cloth without precedence, the red being much less common; 8vo; (16) 231pp illus. Hard Cover. Near Fine.

New York: Boni & Liveright, 1926. First edition. 8vo., navy blue cloth, pp. [ix], 231; three plates. Number of copies printed unknown. Some scarring to frontispiece, darkening to page edges, rear cover has scuffing, soiling and faint staining, else a very good copy. No dust jacket. Gallup A27a..

New York: Boni & Liveright, 1926. Hardcover. Near Fine. First edition. Large octavo. Frontispiece by Henri Gaudier-Brzeska. A collection of all of Ezra Pound's poems published to that date except the unfinished Cantos. Ownership signature, corners and edge of spine a little bumped, a small spot on rear board, else a near fine copy. *Gallup* A27a.

New York: A New Directions Book (Horace Liveright), 1946. Hardcover. Very Good. Possibly a sixth impression in the variant blue cloth. Octavo. 231pp. Frontispiece portrait of Pound by Gaudier-Brzeska. Illustrated with three black and white plates. Gilt-stamped blue cloth. Newspaper offsetting on front endpapers, extremities rubbed, faint soiling, spine lightly tanned, very good being Elizabeth McFarland's copy with her name and the date of "1947" penned on the front fly, lacking the dustwrapper. Elizabeth McFarland [Hoffman] was poetry editor of the Ladies Home Journal from 1948-1962. Laid in is a stapled paper notebook either in Elizabeth or her poet husband Daniel Hoffman's handwriting. Especially Scarce bound in blue cloth. *OCLC* locates only 6 copies by this publisher. A nice association copy.

New York: Liveright Publishing Corporation, 1926. Hardcover. Good. Reprint. Octavo. Frontispiece by Henri Gaudier-Brzeska. Blue cloth gilt. Small bookstore stamp, very well-worn at the extremities, a sound good copy. Poet Donald Justice's copy with his penciled ownership Signature. A collection of all of Ezra Pound's poems published to that date except the unfinished Cantos.

New York Boni and Liveright, 1926. . First edition, first impression; 8vo; page stock somewhat toned; publisher's blue cloth, titles to upper board and spine gilt, edges uncut, with the dust jacket, lightly chipped and rubbed dust jacket with a long, closed split at one fold. A handsome book the dust jacket of which is notoriously brittle. Very attractive and compendious selection of the early poetry including Mauberley.

New York: Boni & Liveright, 1927. Second printing (February 1927). 8vo, frontispiece by Henri Gaudier-Brzeska, 231 pp., original dark blue cloth, spine and edges slightly rubbed and faded. Inscribed by Hart Crane to the artist John W. Taylor "To Jack Taylor, Good friend and counselor, Hart Crane, December '28". The recipient, we confidently think, is the Baltimore-born Woodstlock artist John Williams Taylor, 1897-1983. Crane traveled to Europe in early December 1928, as did Taylor and Crane wrote in a March 29 letter to Sam Loveman that Taylor was "freshly arrived in Paris," and staying at his (Crane's) hotel. Crane's choice of a Pound volume as a gift, and the connection with Taylor provide an interesting line of inquiry.