Search Results: harry callahan by paul sherman introductory

The Museum of Modern Art, 1967. Hardcover. Good. Disclaimer:A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include previous owner inscriptions. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed.

Museum of Modern Art, 1967. Hardcover. Acceptable. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

The Museum of Modern Art, 1967. Attractive survey of the photographer's work. Near fine pictorial wraps with clean text and lovely black and white portraits throughout

The Museum of Modern Art, 1967. First edition. Close to fine and bright pictorial stiff wraps with excellent spine and crisp bright text throughout. A gem of a retrospective

New York: Museum of Modern Art, 1967. First Edition . Cloth. Very Good/Very Good. Square 8vo. 84 pp., 54 plates, chronology, bibliography. Very Good copy with light, scattered foxing to top edge of boards and top edges in a Very Good slight rubbed dust jacket.

New York: The Museum of Modern Art. Fine in Near Fine dust jacket. 1967. First Edition; First Printing. Hardcover. Fine in a near fine dust jacket. (Small chip at base of rear panel of dust jacket. ) (84pp. ) (8" X 9") 61 black & white images. ; 8vo 8" - 9" tall; 84 pages .

New York: Museum of Modern Art (New York, N.Y.), 1967. First edition. Very good +. Square quarto (9" x 8"). 84pp. Bibliography. Photo illustrated off-white dust jacket lettered in black, over gray cloth, spine stamped in black. Illustrated throughout with 61 black & white photographs. Signed on the half-title by Harry Callahan. Dust jacket lightly soiled and a 3/4" closed tear at top edge of front panel. "... These photographs are among the best work by Callahan. They are neither picturesque nor sentimental, do not permit distraction but compel close attention to the natural object..." Sherman Paul Callahan (1912-199) was widely respected in the photography community for his open mind and experimental attitude, qualities reinforced by his association with Moholy-Nagy and the principles of Bauhaus design. (International Center of Photography) Contents: The photography of Harry Callahan / [Sherman Paul] -- Eleanor -- The city -- Landscape -- Chronology / by Grace M. Mayer -- Selected… Read More