Search Results: how to succeed in love comment by michel boisrond director

Paris: France Cinema, 1962. Original French invitation for the premier of the 1962 French-Italian film, here under the original French title. Presented as a wedding invitation for the fictional characters portrayed by Saval and Poiret, cursive font on lightweight card stock, with a laid-in list of starring actors appearing at the Cine Le Rex for the November 16 premiere. Based on Annette Wademant's screnplay, one of twelve written by Wademant for director Boisrond. Bernard (Poiret) is a new publisher who falls in love with Sophie (Saval), but their foolish love nearly destroys them and his job. 5.75 x 7.5 inches, folded horizontally. Near Fine.

Paris: Cinedis, 1962. Press material for the 1962 French-Italian film, "Comment reussir en amour," from the French distributor and press and film agency, Cinedis. Text in French. Resembling the star biography and film credit packets seen with US press kits, this material details film credits, cast and crew biographies, and a synopsis. Based on Annette Wademant's screnplay, one of twelve written by Wademant for director Boisrond. Bernard (Poiret) is a new publisher who falls in love with Sophie (Saval), an affair that nearly destroys them. Cinedis was prominent during the heyday of French New Wave, distributing and promoting some of the era's greatest films, including "Jules and Jim," "Le Trou," "The Gates of Paris," even the popular "Don Camillo" series starring Fernandel. 10 leaves, corner-stapled printed rectos, on Cinedis parchment paper, mimeograph duplication. Near Fine.

Paris: France Cinema Productions, 1962. Original scenario with dialogue script for the 1962 film, here under the French title and also the title "Venus Imperiale." Notations on several pages in manuscript ink and pencil, and a few typed corrections. Based on Annette Wademant's screenplay, one of twelve recorded screenplays written by Wademant for director Boisrond. Bernard (Poiret) is a new publisher who falls in love with Sophie (Saval), but their foolish love nearly destroys them and his job. Unbound carbon typescript. Title page present, undated, noted as "Scenario et dialogues," with credits for director Boisrond and screenwriter Wademant. 224 leaves, with last page of text numbered 224. Pages and folder Very Good plus.

Paris: France Cinema, 1962. Archive of 224 vintage borderless single weight keybook contact sheets and film stills, amounting to nearly 2000 numbered images, for the 1962 French-Italian film, here under the original French title. The entire film is represented in minute detail, along with test shots, set design shots, and many candid off-camera shots from the set. Brief cropping and numerical annotations in pencil throughout. Housed in original mailing envelope, noting on the front in manuscript red ink, "Cinedis" and "C.Hesse," the film distributor and still photographer, and "A refreuda" in manuscript red pencil. 153 photographs are keybook contact sheets, nearly all with 12 images per photograph (several with 36), each image with a series number, and photos crediting at the top the photo laboratory Tele-Photo, production studio France Cinema, film title, and photographer (Hesse, Beauvarlet). Remaining photographs are borderless film stills. Both photographers are credited on the keybook photos… Read More

Paris: France Cinema, 1962. Collection of 75 original black-and-white film still photographs for the 1962 French-Italian film, here under the original French title. Starring actress Saval is prominently featured, as is costar Poiret, with metal crutches in tow, and actress Maillan. Several images show members of the crew during filming, rainy scenes, cars, and large cameras. All with numerical annotations in manuscript pencil on the versos. Housed in an original French Gevaert photo paper box. Based on Annette Wademant's screenplay, one of twelve written by Wademant for director Boisrond. Bernard (Poiret) is a new publisher who falls in love with Sophie (Saval), but their foolish love nearly destroys them and his job. 5 x 7 inches, borderless. Very Good plus overall, with slight curling and foxing to photos, box lightly rubbed.