Search Results: the chartreuse of parma by de stendhal

New York: P.F. Collier & Son, 1901 Book. Very Good. Hardcover. With a critical introduction by Maurice Hewlett. Illustrated with a frontispiece and numerous other portraits with descriptive notes by Octave Uzanne. Minor foxing..

P. F. Collier and Son, New York, 1901. Hardcover. Acceptable. 1901. No Edition Remarks. 543 pages. No dust jacket. Blue cloth. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Overall a good condition item. Boards have moderate shelf wear, with rubbing and marking. Moderate bumping to corners and crushing to spine ends. Book has noticeable forward lean.

collier & son, 1902, french classical romances. very good

London: London Book Co., 1907. Black leather spine with olive green cloth boards. Titles and decoration in gilt. The Library of French Masterpieces edited by Edmond Gosse. Engraved frontispiece portrait and 543 pages . Some spotting to preliminary pages and to closed page edges. Book is illustrated with four full-page colour plates with titled tissue-guards and six further b/w engraved portraits of the author.. First Thus. Half Leather. Very Good/No Jacket. Illus. by Eugene Paul Avril. 5.5" x 8.5". Hard Cover.

London: Heinemann, 1902. Hardcover. Good. A Century of French Romance series. Blue cloth gilt. Hinges starting

William Heinemann, 1904T. hardcover. Good. in x in x in. William Heinemann 1904 edition. Pages clean and bright, binding coming away form front board, split in places, minor shelf wear to cover.

The London Book Co., 1908. Hardcover. Good. 1908. No Edition Remarks. 543 pages. No dust jacket. Green cloth covered boards. Pages have mild tanning and foxing throughout, moderate at end-papers, paste-downs and text-block edges. Minor pencil marking to front free end-paper. Some occasional mild cracking to gutters throughout, binding remains reasonably firm. Boards have mild edge-wear with slight rubbing to surfaces. Mild crushing to spine ends. Book has a slight forward lean. Gilt lettering is darkened.

New York: P. F. Collier & Sons. 1901. First Edition Thus; First Printing. Hardcover. Good in boards. Front hinge cracked. Toning on spine. Light damp staining on front and rear panels. Light shelfwear on spine crown. Light water stains on text block cornes. Foxing on spine and top text block edge. ; The French Classical Romances .

New York: P. F. Collier & Son, 1901. Hardcover. Very Good. Reprint. Translated by Mary Lloyd. Introduction by Maurice Hewlett. Illustrated by Octave Uzanne. Octavo. xxix, 543pp. Spine toned and binding with moderate wear and some staining and an ink mark on the lower board, lower hinge neatly strengthened, about very good. Author William Eastlake's copy, with his owner stamp on the half-title. Eastlake is the author of the noted Checkerboard Trilogy. This volume was issued as part of The French Classical Romances, edited by Edmund Gosse.

William Heinemann. London. 1902. William Heinemann. 1902. First edition, thus. Bound in full green crushed morocco gilt by Ramages. Very professionally rebacked with original spine laid down, almost invisibly repaired. Marbled endpapers, gilt inner dentelles, all edges of pages gilt. Sepia portrait frontis with tissue guard plus 4 coloured plates. Edges of boards rubbed, spine sunned, boards slightly marked. Prelims foxed, pages browned otherwise a very clean and sound copy.