Woodstock. Sir Walter Scott.

Tan Leather binding with green title plate, gilt banding and lettering on the spine. Brown marbled boards. Part of a set.

Woodstock, or The Cavalier. A Tale of the Year Sixteen Hundred and Fifty-one (1826) is a historical novel by Sir Walter Scott, one of the Waverley novels. Set just after the English Civil War, it was inspired by the legend of the Good Devil of Woodstock, which in 1649 supposedly tormented parliamentary commissioners who had taken possession of a royal residence at Woodstock, Oxfordshire. The story deals with the escape of Charles II in 1652, during the Commonwealth, and his final triumphant entry into London on 29 May 1660. Scott began composing Woodstock at the very end of October 1825. He appears to have made rapid progress at first, but there were many interruptions during December and the second volume was not finished until 11 February 1826. He completed the final volume on 26 March. The History of England by David Hume (1754‒62), which Scott admired above all others, gave him most of what he needed for the historical background, though for many details he was able to draw on his profound acquaintance with the literature of the seventeenth century. For the goings-on at Woodstock Manor he was familiar with two accounts accepting a supernatural explanation in Satan's Invisible world Discovered by George Sinclair (1685) and Saducismus Triumphatus by Joseph Glanvil (1700). He also knew, though not necessarily at first hand, the version of the story in The Natural History of Oxford-shire by Robert Plot (1677), adopting its more sceptical approach to the business. The first edition of Woodstock was published in Edinburgh by Archibald Constable and Co. and Longman, Rees, Orme, Brown, and Green in London on 28 April 1826. As with all the Waverley novels before 1827 publication was anonymous. The price was one and a half guineas (£1 11s 6d or £1.57½.). Scott does not seems to have revisited the novel until the spring of 1831 when he revised the text and provided an introduction and notes for the 'Magnum' edition, in which it appeared as Volumes 39 and 40 in August and September 1832. The standard modern edition, by Tony Inglis with J. H. Alexander, David Hewitt, and Alison Lumsden, was published as Volume 19 of the Edinburgh Edition of the Waverley Novels in 2009: this is based on the first edition with emendations mainly from the manuscript and corrected proofs; the 'Magnum' material appears in Volume 25b (2012). THE PLOT At a thanksgiving service in Woodstock church for the victory at Worcester (3 September 1651), the Rev. Nehemiah Holdenough was compelled to cede the pulpit, which he had usurped from the late rector (Dr Rochecliffe), to Joseph Tomkins, who, in military attire, declaimed against monarchy and prelacy, and announced the sequestration of the royal lodge and park by Cromwell and his followers. Proceeding thither, he encountered Sir Henry Lee, accompanied by his daughter Alice, prepared to surrender his charge, and was conducted through the principal apartments by the forester Joliffe, who managed to send his sweetheart Phoebe and dog Bevis with some provisions to his hut, in which the knight and his daughter had arranged to sleep. On arriving there they found Colonel Everard, a Roundhead who had come to offer them his own and his father's protection; but Sir Henry abused and spurned his nephew as a rebel, and at Alice's entreaty he bade them farewell, as he feared, for ever. On his way to the lodge he met his Royalist friend, Captain Wildrake, whom he was sheltering in spite of his politics, and determined to send him with an appeal to Cromwell to reinstate his uncle at Woodstock. On reaching Windsor, the captain, disguised as a Roundhead, obtained an interview with Oliver Cromwell, and a compliance with Everard's request, on condition that he would aid in securing the murdered king's son, in the event of his seeking refuge with the Lees. Armed with the warrant of ejectment, the colonel and Wildrake, accompanied by the mayor and the minister, visited the Commissioners during their evening carouse, and took part in endeavouring to ascertain the cause of some startling occurrences by which they had been disturbed. Everard made his way alone to a dark gallery, in which he fancied he heard his cousin's voice, and suddenly felt a sword at his throat. Meeting Wildrake as he regained the hall, they hurried off to the hut where they found Dr Rochecliffe reading the Church service to Sir Henry and his daughter; and, after a reconciliation between uncle and nephew, the cousins were allowed a private interview, during which Alice warned her lover against betraying the king. Returning to the lodge they were told of other unaccountable events; and during the night Everard was ordered by an apparition to change his quarters. The sentinels also declared that they had heard strange sounds, and the Commissioners decided to retire to the village inn. Master Holdenough, too, confessed that he had been terribly shocked by the reflection in a mirror of the figure of a college friend whom he had seen drowned. The following day Sir Henry Lee was induced to resume his post, and his son Albert arrived with one "Louis Kerneguy", whom he introduced as his Scotch page. Sir Henry having no suspicion who his guest really was treated him without ceremony; and while Dr Rochecliffe and the colonel were planning for his escape to Holland, the disguised Charles amused himself by endeavouring to gain Alice's love; but, in spite of a declaration of his rank, she made him ashamed of his suit. A quarrel, however, having arisen between him and Everard, she evinced her loyalty by preventing a duel they had arranged, at the risk of her reputation and the loss of her cousin's affection. A similar attempt by Tomkins to trifle with Phoebe was punished by a deathblow from Joliffe. The next evening Everard and his friend, and Holdenough, were unexpectedly made prisoners by Cromwell, who, having received intelligence of their knowledge of the king's sojourn at Woodstock, had brought a large force to secure him. Wildrake, however, managed to send his page Spitfire to the lodge to warn them, and while Alice acted as Charles's guide, Albert, in his dress, concealed himself in Rosamond's tower. Cromwell and his soldiers arrived soon afterwards with Dr Rochecliffe and Joliffe, whom they had seized as they were burying Tomkins, and, having searched all the rooms and passages in vain, they proceeded to blow up the tower. Albert, however, leapt from it just before the explosion, and Cromwell was furious when he discovered the deception. In his rage he ordered the execution of the old knight and all his abettors, including his dog; but afterwards released them, with the exception of Albert, who was imprisoned, and subsequently fell in the battle of Dunkirk (1658). Alice returned in safety, with the news that the king had effected his escape, and a letter from him to Sir Henry, approving of her marriage with Everard, whose political opinions had been considerably influenced by recent events. Eight years later Wildrake arrived at Brussels with news for Charles. After Cromwell's son Richard abdicated, the Protectorate was abolished and the country descended into chaos. Order was restored when George Monck, the Governor of Scotland, marched into the City of London with his army and forced the Rump Parliament to re-admit members of the Long Parliament excluded during Pride's Purge. The Long Parliament dissolved itself and for the first time in almost 20 years, there was a general election. The Convention Parliament assembled and voted for Charles' restoration. In his progress to London, Charles, escorted by a brilliant retinue, amidst shouts of welcome from his assembled subjects, dismounted to salute a family group in which the central figure was the old knight of Ditchley, whose venerable features expressed his appreciation of the happiness of once more pressing his sovereign's hand, and whose contented death almost immediately followed the realisation of his anxious and long-cherished hopes. Sir Walter Scott, 1st Baronet FRSE FSAScot (15 August 1771 – 21 September 1832), was a Scottish historical novelist, poet, playwright and historian. Many works remain classics of European and Scottish literature, notably the novels Ivanhoe, Rob Roy, Waverley, Old Mortality, The Heart of Mid-Lothian and The Bride of Lammermoor, and the narrative poems The Lady of the Lake and Marmion. He had a major impact on European and American literature. As an advocate, judge and legal administrator by profession, he combined writing and editing with daily work as Clerk of Session and Sheriff-Depute of Selkirkshire. He was prominent in Edinburgh's Tory establishment, active in the Highland Society, long a president of the Royal Society of Edinburgh (1820–1832), and a vice president of the Society of Antiquaries of Scotland (1827–1829). His knowledge of history and literary facility equipped him to establish the historical novel genre and as an exemplar of European Romanticism. He became a baronet "of Abbotsford in the County of Roxburgh", Scotland, on 22 April 1820; the title became extinct on his son's death in 1847. Although he continued to be extremely popular and widely read, both at home and abroad, Scott's critical reputation declined in the last half of the 19th century as serious writers turned from romanticism to realism, and Scott began to be regarded as an author suitable for children. This trend accelerated in the 20th century. For example, in his classic study Aspects of the Novel (1927), E. M. Forster harshly criticized Scott's clumsy and slapdash writing style, "flat" characters, and thin plots. In contrast, the novels of Scott's contemporary Jane Austen, once appreciated only by the discerning few (including, as it happened, Scott himself) rose steadily in critical esteem, though Austen, as a female writer, was still faulted for her narrow ("feminine") choice of subject matter, which, unlike Scott, avoided the grand historical themes traditionally viewed as masculine. Nevertheless, Scott's importance as an innovator continued to be recognised. He was acclaimed as the inventor of the genre of the modern historical novel (which others trace to Jane Porter, whose work in the genre predates Scott's) and the inspiration for enormous numbers of imitators and genre writers both in Britain and on the European continent. In the cultural sphere, Scott's Waverley novels played a significant part in the movement (begun with James Macpherson's Ossian cycle) in rehabilitating the public perception of the Scottish Highlands and its culture, which had been formerly been viewed by the southern mind as a barbaric breeding ground of hill bandits, religious fanaticism, and Jacobite risings. Scott served as chairman of the Royal Society of Edinburgh and was also a member of the Royal Celtic Society. His own contribution to the reinvention of Scottish culture was enormous, even though his re-creations of the customs of the Highlands were fanciful at times. Through the medium of Scott's novels, the violent religious and political conflicts of the country's recent past could be seen as belonging to history—which Scott defined, as the subtitle of Waverley ("'Tis Sixty Years Since") indicates, as something that happened at least 60 years earlier. His advocacy of objectivity and moderation and his strong repudiation of political violence on either side also had a strong, though unspoken, contemporary resonance in an era when many conservative English speakers lived in mortal fear of a revolution in the French style on British soil. Scott's orchestration of King George IV's visit to Scotland, in 1822, was a pivotal event intended to inspire a view of his home country that, in his view, accentuated the positive aspects of the past while allowing the age of quasi-medieval blood-letting to be put to rest, while envisioning a more useful, peaceful future. After Scott's work had been essentially unstudied for many decades, a revival of critical interest began in the middle of the 20th century. While F. R. Leavis had disdained Scott, seeing him as a thoroughly bad novelist and a thoroughly bad influence (The Great Tradition [1948]), György Lukács (The Historical Novel [1937, trans. 1962]) and David Daiches (Scott's Achievement as a Novelist [1951]) offered a Marxian political reading of Scott's fiction that generated a great deal of genuine interest in his work. These were followed in 1966 by a major thematic analysis covering most of the novels by Francis R. Hart (Scott's Novels: The Plotting of Historic Survival). Scott has proved particularly responsive to Postmodern approaches, most notably to the concept of the interplay of multiple voices highlighted by Mikhail Bakhtin, as suggested by the title of the volume with selected papers from the Fourth International Scott Conference held in Edinburgh in 1991, Scott in Carnival. Scott is now increasingly recognised not only as the principal inventor of the historical novel and a key figure in the development of Scottish and world literature, but also as a writer of a depth and subtlety who challenges his readers as well as entertaining them.