Stothard's Admired Picture of 'The Procession of the Flitch of Bacon' Somewhat Metamorphosed! by John Doyle after Thomas Stothard by QUEEN VICTORIA [1819-1901] and PRINCE ALBERT

[Windsor Castle, 1848. Etching on thick wove paper, very minor toning of paper throughout. An original etching by Prince Albert. A talented amateur artist, Queen Victoria took up etching as a hobby, introducing the art to her husband shortly after their marriage in 1840. The royal couple etched frequently for about four years, the Queen being the more prolific, producing sixty-two plates as against the Prince's twenty-five. Both Sir George Hayter and Sir Edwin Landseer taught the royal couple. The plates were etched at Windsor Castle, sometime with both Victoria and Albert working together on the same plate, and it is believed some proof impressions were pulled from a small press there. Some of the plates (though largely the proofs) were bit and printed by the Queen's dresser Marianne Skerrett, though most were re-bit and printed by Colnaghi. However, very few of each of the etchings were printed, the pastime being largely for the royal couple's own amusement. "The etchings offer a picture of the… Read More

[Windsor Castle, 1848. Etching on paper, titled Albert, 21/9 and dated 1840 in the plate lower left just below image, India proof impression on original wove support sheet. An original etching by Prince Albert. A talented amateur artist, Queen Victoria took up etching as a hobby, introducing the art to her husband shortly after their marriage in 1840. The royal couple etched frequently for about four years, the Queen being the more prolific, producing sixty-two plates as against the Prince's twenty-five. Both Sir George Hayter and Sir Edwin Landseer taught the royal couple. The plates were etched at Windsor Castle, sometime with both Victoria and Albert working together on the same plate, and it is believed some proof impressions were pulled from a small press there. Some of the plates (though largely the proofs) were bit and printed by the Queen's dresser Marianne Skerrett, though most were re-bit and printed by Colnaghi. However, very few of each of the etchings were printed, the pastime being… Read More