A Reckoning

New York, NY: W. W. Norton & Company, Inc, 1978. First edition. First printing [stated]. Hardcover. Very good in good dust jacket. Signed by author. Signed and dated on t-p. Pencil erasure residue on half-title. DJ has some wear, soiling, edge tears and chips.. 254, [2] p. From Wikipedia: "May Sarton is the pen name of Eleanore Marie Sarton (May 3, 1912 July 16, 1995), an American poet, novelist, and memoirist. Sarton was born in Wondelgem, Belgium (today a part of the city of Ghent). Her parents were science historian George Sarton and his wife, the English artist Mabel Eleanor Elwes. When German troops invaded Belgium after the assassination of Archduke Franz Ferdinand in 1914, her family fled to Ipswich, England where Sarton's maternal grandmother lived. One year later, they moved to Boston, Massachusetts. She went to school in Cambridge, Massachusetts, graduating from Cambridge High and Latin School in 1929. She started theatre lessons in her late teens, but continued writing poetry, eventually publishing her first collection in 1937 entitled Encounter in April. In 1945 she met her partner for the next thirteen years, Judy Matlack, in Santa Fe, New Mexico. They separated in 1956, when Sarton's father died and Sarton moved to Nelson, New Hampshire. Honey in the Hive (1988) is about their relationship. In her memoir At Seventy, she reflected on Judy's importance in her life and how her Unitarian Universalist upbringing shaped her. Sarton later moved to York, Maine. In 1990, she suffered a stroke, severely reducing her ability to concentrate and write. After several months, she was able to dictate her final journals, which celebrated the joys of her life. She died of breast cancer on July 16, 1995, and is buried in Nelson, New Hampshire. Despite the quality of some of her many novels and poems, May Sarton's best and most enduring work probably lies in her journals and memoirs, particularly Plant Dreaming Deep (about her early years at Nelson, ca. 1958-68), Journal of a Solitude (1972-1973, often considered her best), The House by the Sea (1974-1976), Recovering (1978-1979) and At Seventy (1982-1983). In these fragile, rambling and honest accounts of her solitary life, she deals with such issues as ageing, isolation, solitude, friendship, love and relationships, lesbianism, self-doubt, success and failure, envy, gratitude for life's simple pleasures, love of nature (particularly of flowers), spirituality and, importantly, the constant struggles of a creative life. Sarton's later journals are not of the same quality, as she endeavoured to keep writing through ill health and often with the help of a tape recorder. Although many of her earlier works, such as Encounter in April, contain vivid erotic female imagery, May Sarton often emphasized in her journals that she didn't see herself as a "lesbian" writer, instead wanting to touch on what is universally human about love in all its manifestations. When publishing her novel Mrs. Stevens Hears the Mermaids Singing in 1965, she feared that writing openly about lesbianism would lead to a diminution of the previously established value of her work. "The fear of homosexuality is so great that it took courage to write Mrs. Stevens Hears the Mermaids Singing, " she wrote in Journal of a Solitude, "to write a novel about a woman homosexual who is not a sex maniac, a drunkard, a drug-taker, or in any way repulsive, to portray a homosexual who is neither pitiable nor disgusting, without sentimentality..." After the book's release, many of Sarton's works began to be studied in university level Women's Studies classes, being embraced by feminists and lesbians alike. Margot Peters' controversial biography (1998) revealed May Sarton as a complex human being who often struggled in her interpersonal relationships."