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ORIGINAL HAPPENINGS EVENT FLYER ILLUSTRATED BY RED GROOMS FOR THE JANUARY 1960 "HAPPENINGS AT THE REUBEN GALLERY", featuring "Fireman's Dream" by Red Grooms, "The Big Laugh" by Allan Kaprow, and "Small Cannon" by Robert Whitman. by (Grooms, Red; Kaprow, Allan; and Whitman, Robert) - (1959).

by (Grooms, Red; Kaprow, Allan; and Whitman, Robert)

ORIGINAL HAPPENINGS EVENT FLYER ILLUSTRATED BY RED GROOMS FOR THE JANUARY 1960 "HAPPENINGS AT THE REUBEN GALLERY", featuring "Fireman's Dream" by Red Grooms, "The Big Laugh" by Allan Kaprow, and "Small Cannon" by Robert Whitman. by (Grooms, Red; Kaprow, Allan; and Whitman, Robert) - (1959).

ORIGINAL HAPPENINGS EVENT FLYER ILLUSTRATED BY RED GROOMS FOR THE JANUARY 1960 "HAPPENINGS AT THE REUBEN GALLERY", featuring "Fireman's Dream" by Red Grooms, "The Big Laugh" by Allan Kaprow, and "Small Cannon" by Robert Whitman.

by (Grooms, Red; Kaprow, Allan; and Whitman, Robert)

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New York: Reuben Gallery, (1959)., (1959).. Fair. - An original 17 inch high by 12 inch wide black & white flyer designed and illustrated by Red Grooms for the series of Happenings which took place at Reuben Gallery from January 8 through the 11th, 1960 and the overlapping exhibition of Red Grooms' works displayed at the gallery from January 9 through the 28th of that year. One half of the flyer lists the 3 performance art events scheduled for the evenings of January 8th through the 11th, boldly titled in facsimile of the artist's handwriting within a heavy black frame. Illustrated with what appears to be an arm reaching out for a ball at the left of the frame. "Happenings at the Reuben Gallery: Art in a New Medium produced before a seated audience" is additionally printed in type within the frame, and the dates and relevant information is printed along the bottom: "4 evenings January 8.9.10, 11 at 8:30 p.m. Admission by Advance Reservation Only / Write: Reuben Gallery 61 Fourth Avenue N.Y.C. 3 N.Y. Phone OR-41136 min. contrib. $1.50". Depicted upside down on the other half of the sheet is a bold black & white illustration of one of Red Groom's paintings of a man in a wide brimmed hat reaching out with his hand, the whole heavily scribbled out with bold black lines in Grooms inimitable style with the words "Red Grooms Jan 9 - Jan 28" boldly written at left of the image. The sheet is folded twice horizontally and once vertically for mailing. It is addressed in ink to "Brata" on the verso with Reuben Gallery's return address and a 1959 postmarked US postage stamp. The flyer is soiled with creases to the edges, several pinholes to two of the corners, a short tear along the edge of one fold and some damage and rough short tears to the left edge not affecting the text. A bold powerful event flyer. <p>The event flyer advertised performances of Red Grooms' "Fireman's Dream" (later titled "The Magic Train Ride"), Allan Kaprow's "The Big Laugh", and Robert Whitman's "Small Cannon" in addition to an exhibition of Red Grooms' art work.<p>A rare event flyer for an early "happening", a term coined by Allan Kaprow to describe these early performance art events.<p>The art exhibit held in conjunction with the performances was Red Grooms first solo show.<p>The flyer is addressed to the Brata gallery, located at 89 E. 10th street, which was itself significant as one of the 10th Street galleries that operated co-operatively in Manhattan's East Village. These artist run galleries operated on low budgets were the avant-garde alternative to the conservative 57th Street galleries.<p>In its short life (October 1959 to April 1961), the Reuben Gallery, founded by Anita Reuben as "an outpost for human image in a sea of Abstract Expressionism", helped launch the careers of many of the important artists of the period. George Brecht, Jim Dine, Claes Oldenburg, and George Segal were among the many modern artists whose works were exhibited by the Reuben.<p>In a 2012 article published by The New York Times about the Pace Gallery's exhibition entitled "Happenings: New York, 1958-1963" Red Grooms states that "All of us were painters or makers of something. I guess we all had a knack for doing something theatrical, and there was a certain sort of movement in painting at that time. Pollock was a prime influence...." and further describes his work "I was enamored with all sorts of theater--circuses, carnivals, ice shows, things on television. In high school assemblies I would do skits; I'd come out in a tutu and do a pratfall. So my Happenings were physical as well. In all of them I played this character called the Pasty Man, who would come out from behind the curtain with this candle...."<p>RARE. [No copies found in WorldCat].
  • Bookseller Blue Mountain Books & Manuscripts, Ltd. US (US)
  • Book Condition Used - Fair
  • Publisher New York: Reuben Gallery, (1959).
  • Date Published (1959).
  • Keywords ART; PERFORMANCE ART; HAPPENING; HAPPENINGS; THEATRE; THEATRICAL; PAINTINGS; ILLUSTRATIONS; RED GROOMS; REUBEN GALLERY; FIREMAN'S DREAM; THE BIG LAUGH; ALLAN KAPROW; SMALL CANNON; ROBERT WHITMAN; BRATA GALLERY; SIXTIES; 60'S; EVENT FLYER; BROADSID
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HOTEL HOUSEKEEPING: OPERATIONS AND MANAGEMENT, 3RD EDN

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The Good Soldiers

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Good Soldier Pub. First Edition. Hardcover. Very Good/Very Good. First Edition, First Printing. Published by Good Soldiers Publishing, 1986. Octavo. Green boards stamped in gold. Signed and inscribed by author on flyleaf. Book is very good; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Dust jacket is very good with light shelf wear with small tears on bottom front and back top edge. 130 pages. ISBN: 0961649909. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York.
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Manning, Martha | Undercurrents | Unsigned First Edition Copy

Manning, Martha | Undercurrents | Unsigned First Edition Copy

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The Federal Reserve Monster: Jack Holland Illustrated Edition
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The Federal Reserve Monster: Jack Holland Illustrated Edition

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Original Sin (R Rated Version) [DVD]

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El Periodismo Filipino, 1811-1910 The First Century of Philippine Journalism
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El Periodismo Filipino, 1811-1910 The First Century of Philippine Journalism

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Bibliographical Notes, Biographical Entries, Critical Notes, Extracts and Anecdotes by Wenceslao Emilio Retana
With The History of the Philippine Press, 1811-1910 by Jose Victor Z. TorresTranslated and Annotated by Jaime M. Marco
Wenceslao E. Retana's El Periodismo Filipino captures the glorious struggle of Filipino thought as it strove to break free in public media. Retana's voluminous research on the first century of Philippine journalism is a thrilling documentation of the emancipation of Filipino intellectuality following a surprisingly linear emplotment: from halting ignorance to tentative expressions, then to raging radicalism and freethinking that exploded into the Philippine Revolution of 1896, only for its republican and progressive ideals to be dashed once again by a new and insidious colonial master.
In the book we witness print culture slipping away from two and a half centuries of Spanish friar control, which previously had only emphasized translation and doctrinal… Read More
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El Periodismo Filipino, 1811-1910 The First Century of Philippine Journalism

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Bibliographical Notes, Biographical Entries, Critical Notes, Extracts and Anecdotes by Wenceslao Emilio Retana
With The History of the Philippine Press, 1811-1910 by Jose Victor Z. TorresTranslated and Annotated by Jaime M. Marco

Wenceslao E. Retana's El Periodismo Filipino captures the glorious struggle of Filipino thought as it strove to break free in public media. Retana's voluminous research on the first century of Philippine journalism is a thrilling documentation of the emancipation of Filipino intellectuality following a surprisingly linear emplotment: from halting ignorance to tentative expressions, then to raging radicalism and freethinking that exploded into the Philippine Revolution of 1896, only for its republican and progressive ideals to be dashed once again by a new and insidious colonial master.
In the book we witness print culture slipping away from two and a half centuries of Spanish friar control, which previously had only emphasized translation and doctrinal… Read More
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CA$2.39