NORWEGIAN STAVE CHURCH SCULPTURE Volume I + 2. Analytical Survey & Catalogue by Hohler, Erla Bergendahl

Norway 1999. Presenting the second volume in Bergendahl’s massive compendium on Norway’s primary contribution to medieval art, its stave churches. This volume includes exhaustive information regarding the origin, production, and interpretation of the ornate woodwork on the stave churches. The second section presents nearly 560 plates depicting examples of this unique and intriguing art form., English, Year1999, Illust. B/W279, Illust. Color, ISBN 8200127443, Code 3954. Hardbound w/ jacket, Most in Pristine Condition. Some of the jackets are slightly damaged., Bibl. Index. Pages 335, Size 12”x 8 1/2”

Rome: Desclee, Lefebvre & C., 1903. Testo only. First edition. Hard cover in original cloth and boards. Published Rome: Desclee, Lefebvre & C., 1903. Folio, 12" x 16", xix+549pp., illustrated with 54 reproductions within the text. Text in Italian. Libro Primo, Libro Secondo, Supplemento Primo, Supplemento Secondo. Splitting to the outer cloth along the hinges, some scuffing to rear cover, light foxing along front edge of portion of page block, else very good. Text clean, bright, unmarked, binding tight. Not ex-library. Scarce. . 1st. Hard. Very Good Minus/No Jacket. Folio.

London: Printed by Stephen Couchman, For W. Curtis, 1793. First edition thus. Leather. Very Good. 1st edition, thus. Volume 1 only. A Very Good copy. 8vo., with engraved frontispiece and 40 hand coloured plates. Bound in half red morocco and marbled paper over boards, with title on spine in gilt. 3 front blank end papers, 5 blank rear end papers. Handsome bookplate. Boards lightly rubbed, spine more so. Front paste down foxed. Frontispiece dampstained, transferring to a lesser degree to the title page. Text and plates generally clean, with occasional off-setting and a dot of foxing. A Very Good copy. *** Originally issued in monthly parts, each consisting of three plates and accompanying letterpress text: this edition a reprint in annual volumes. Text leaves are bound facing the plates they describe and numbered to correspond to that plate. Drawings for the plates were made by: James Sowerby, Sydenham Edwards and Francis Sansom; coloring supervised by William Graves.*** Bookplate of known book… Read More

SIGNED by Watts, Hefner, Larry Flynt, Bunny Yeager, and Dita von Teese in black ink to ffp and title page. Black paper with gilt particulars to spine. Dust jacket protected in mylar. Both color and black and white illustrations in sections throughout text. These signatures were collected by the previous owner who attended a performance by von Teese, an exhibition opening at the NSU Art Museum, Fort Lauderdale for Bunny Yeager, at a Los Angeles Barnes & Noble signing event for Hefner and Watts (December 16, 2008; flyer included), and at a signing event at Books & Books in Coral Gables for Flynt (June 3, 2011). ix, 529 pp. 6 1/2 x 9 1/2 inches.

First editions of Ancient Topography of London Containing Not Only Views of Buildings, Which in Many instances No Longer Exist, and For the Most Part Were Never Before Published, but Some Account of the Places and Customs Either Unknown, or Overlooked by the London Historians and Vagabondiana, or Anecdotes of Mendicant Wanderers throught the Streets of London bound together in one volume. Ancient Topography of London, published at 4 Chandos Street, Covent Garden, London, 1815. Complete with 33 fine etchings by Smith from his own drawings, of buildings and interiors around London, plus frontispiece with hand-coloured heraldic devices of London guilds.Begun October 24 1810 (date of hand-coloured frontispiece) and completed in 1815 (date of title page). It was originally intended as "an additional accompaniment to Thomas Pennant's Some Account of London." Now valued for its detailed architectural drawings of Norman, medieval and Tudor buildings, many of which were already ruins or to be demolished in… Read More

London / Dublin: Printed for Knight and Lacey, Paternoster-Row, and Westley and Tyrrell, 1825. A new edition with considerable additions; including an appendix, containing several valuable tables. Printed paper covered boards. Spine repaired with binder's tape, boards rubbed with a few chips at the edges, a few scuff marks, one affecting the word 'wood' on the front board and one affecting a few letters of the advertisements on the rear board, front endpapers soiled, fly leaf torn and split from gutter, small chips to top edge of a1 and a2 probably from opening roughly, some staining to last page of index and blank, occasional finger soiling, but overall remarkably clean, crisp, and tight, and even scarcer thus as most copies and manuals of this nature usually disintegrated from use.. xii, 95 pp., [1]. 16mo. Printed by T. C. Hansard. The first known edition of this book was published in 1809, though it was then only 36 pages and the author identified as Peter Weber. A later edition, only slightly… Read More

Norway 1999. Presenting the second volume in Bergendahl’s massive compendium on Norway’s primary contribution to medieval art, its stave churches. This volume includes exhaustive information regarding the origin, production, and interpretation of the ornate woodwork on the stave churches. The second section presents nearly 560 plates depicting examples of this unique and intriguing art form., English, Year1999, Illust. B/W279, Illust. Color, ISBN 8200127443, Code 3954. Hardbound w/ jacket, Most in Pristine Condition. Some of the jackets are slightly damaged., Bibl. Index. Pages 335, Size 12”x 8 1/2”

Various publishers, various places 1973-2009. Book. Near Fine. Soft cover. 1st Edition. An archive of over 100 items, from the collection of the late Julian Andrews, a long-term supporter and enthusiast of the artist, Head of the Fine Arts Department of the British Council and the author of the primary reference source 'The Sculpture of David Nash'. The collection comprises over forty (primarily solo) exhibition catalogues from shows all round the UK, Europe, the US, Japan, Korea and Australia, and includes the catalogues for his first three solo shows, each written and designed by Nash; various studies and monographs; circa forty exhibition handbills and private viewing invitation cards; plus several books by Nash himself and various ephemeral bits and pieces. Seven of the items bear the artist's signature or inscription. A signed copy of Julian Andrews' exhaustive reference work is also included. A fascinating and wide-ranging archive which would now be virtually impossible to… Read More

1768 Diderot Encyclopedia Plates HUGE FOLIO Medicine Architecture Vesuvius Art

The Enlightenment's most-important general encyclopedia!

Through the mid-18th-century, large collections of knowledge were relegated to specific areas of study like law, medicine, or religion. However, Denis Diderot's 'Encyclopedie' changed the public's knowledge base as well as setting a standard for future generations of acquiring knowledge on many different subjects. This was the first encyclopedia to include contributions from many different named writers. It also was the first encyclopedia to describe work-related topics like agriculture, engineering, cooking, and trade.

This enormous tome is the complete volume of illustrations from the 1768 edition of Diderot and d'Alembert's famous encyclopedia. It features 294 full-page and folding engravings covering a wide variety of topics including human anatomy, surgery and medicine, military and war, art and architecture, zoology, chemistry, and music and theater. One… Read More

Preparatory drawing by Jakob van der Schley (1715-1779) for his famous print depicting execution methods that were supposedly used on Sri Lanka: crushing by a mounted elephant, impalement and hanging. The print was made by Van der Schley for Antoine Francois Prevost d'Exile's Histoire Generale des Voyages, published by Pierre de Hondt in The Hague1746-1789. It is included in volume VIII, where it accompanies the part on Sri Lanka (Ceylon). The part on Sri Lanka was largely derived from Robert Knox's An Historical Relation of the Island Ceylon (1681), which was also illustrated with a plate showing the execution by elephant. Van der Schley modeled his composition after that example, but made drastic artistic improvements. His drawing is of a much higher artistic quality compared to the rudimentary manner in which the execution by elephant was made in Knox's work. Another difference is the other execution methods that are depicted. In Knox's illustration the other victim was tied to a pole, but in the… Read More