Elizabeth I: The Competition for Representation by Frye, Susan

Oxford University Press, USA, 1996. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Oxford University Press, USA, 1996. Paperback. Good. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Oxford University Press, USA, 1996-11-28. Paperback. Good. Excellent customer service. Prompt Customer Service.

Oxford University Press, USA, 1996. Later printing. Paperback. Very Good. Wraps and pages are tight. Wraps have light shelf wear and some soiling to page edges.

Oxford: Oxford University, 1996. 228pp. Extremities lightly rubbed; smll chip top of spine. Illus.; endnotes; biblio.; index.. Paperback. VG.

Oxford University Press, November 1996. Trade Paperback . Used Very Good. Light wear to cover, slightly bumped corners, pages clean and unmarked. We carry new and used books in our storefront. We want you to be satisfied with your purchase. Please contact us if you have questions regarding this item.

OUP, 1997. New Edition . Soft cover. Very Good. Examination of the queen's struggle for authority through the representation of her female body by providing historical accounts of three representational crises:the London coronation entry of 1559, the Kenilworth entertainments of 1575, and the publication of The Faerie Queene in 1590; in overall very good condition with clear unmarked text and uncreased spine; xii, 228

paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The Elizabeth I: The Competition for Representation.

Paperback / softback. New. A study of Elizabeth I which focuses on her difficulty in building up power in a patriarchal society. The author uses literary and historical examination of three crises in her reign to trace the queen's struggle to retain control over the iconography of both her physical self and her political domain.