BE-BOP, RE-BOP by CARTIER, Xam Wilson - 1987

Ballantine Books, 1987-08-12. paperback. Good. 4x0x6. Trade paperback. Light to moderate shelf wear to covers. Binding square and tight. No creasing to spine. No loose pages. No highlighting, notation, or remainder marks. Thank you for supporting Last Word Books and independent bookstores.

Random House Publishing Group. Used - Good. Used book that is in clean, average condition without any missing pages.

Random House Publishing Group, 1987. Paperback. Good. Disclaimer:A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include previous owner inscriptions. An ex-library book and may have standard library stamps and/or stickers. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed.

New York: Available Press/Ballantine Books, 1987. Trade Paperback. 147p., inscribed and signed by Cartiér, very good first edition trade paperback original in pictorial wraps. African American novelist's first book, using jazz as her motif.

New York: Available Press/Ballantine Books, 1987. Trade Paperback. 147p., first edition, very good condition, wraps. Paperback original. African American novelist's first book, using jazz as her motif. Born in St. Louis, at time of writing the author lived in San Francisco.

New York: Available Press/Ballantine Books, 1987. Trade Paperback. 147p., signed by Cartiér, very good first edition trade paperback original in pictorial wraps. African American novelist's first book, using jazz as her motif.

New York: Ballantine Books, 1987. First printing. Wraps. VG+/No dust jacket. 147pp. Novelist's first book. Minor wear to wraps. "She is to writing what Betty Carter and Sarah Vaughan are to music" -Ishmael Reed.

New York: Available Press/Ballantine Books, 1987. Trade Paperback. 147p., inscribed to Black Scholar editor Robert Allen (as R.A.) and signed as Xam by Cartiér, fine first edition trade paperback original in pictorial wraps. African American novelist's first book, using jazz as her motif.

New York: Ballantine Books, 1987. Softcover. Near Fine. First edition. Paperback original. Slight edgewear else near fine. Author's first novel, employing the types of jazz rhythms that Langston Hughes and Ted Jones used for poetry. Ishmael Reed blurb.

paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.